The Talk With Tommy Hilfiger and Dee Ocleppo Hilfiger
San Francisco's annual Fall Fashion Show took place on October 15, featuring this year's theme, "Paradise Found." The event was chaired by industry icons Tommy Hilfiger, founder and principal designer of his eponymous brand, and his wife Dee Ocleppo Hilfiger, founder and creative director of Dee Ocleppo and Mrs. Hilfiger, who also serves as creative director of Judith Leiber. In an exclusive interview with Gazette du Bon Ton, the couple discussed their philosophy of living, their latest book, and insights into the current fashion landscape.
On "Hilfiger Homes" & The Philosophy of Living
Giulia: A home is both a private sanctuary and a public stage for one's life. In creating Hilfiger Homes, which of your residences felt most like a personal refuge, and which felt most like a grand stage for your shared story?
Dee: Our house in Connecticut was like a refuge—quiet, layered and designed for us to exhale. Palm Beach is the grand stage: high energy, guests flowing in and out and rooms with water views from nearly every angle.
Giulia: The process of curating a book like this must be an act of intense personal archaeology. What was the most surprising memory or emotion that resurfaced as you revisited the stories and spaces of your past?
Dee: How instinctive so many choices were. A fabric pulled on a whim or a flea-market find became the soul of a room. Revisiting those moments brought back the joy—and sometimes the chaos—behind the finished images.
Giulia: Each home in the book represents a distinct chapter. If you were to give a title to the chapter of your first shared home versus your current one, what would those titles be, and why?
Tommy: First home: “New Beginnings.” Current home: “Full Circle.” The first was all discovery; the current address distills what we’ve learned into something personal, edited and effortless.
Vendome Press
Giulia: Beyond aesthetics, how does one cultivate a home's feeling? What are the essential non-visual elements—a particular scent, a piece of music, a daily ritual—that you believe transform a house into a true "Hilfiger Home"?
Dee: Rituals. Fresh flowers at the entry, a signature scent – usually Mrs. H candles, playlists that shift with the hour, lamps on dimmers, throws within reach. Feeling comes from the cadence of living, not just the look.
The Intersection of Fashion & Interiors
Giulia: Mr. Hilfiger, your brand is the quintessence of American "classic with a twist." How does that specific design ethos translate from a polo shirt or a runway collection into the choice of a sofa, a piece of art, or the very architecture of a room?
Tommy: Start with timeless forms—Chesterfields, club chairs, striped rugs—then twist the dial: unexpected color, playful art, bold scale. Like a collection, the room needs anchors, a clear palette and smart editing.
Giulia: Mrs. Hilfiger, with your renowned expertise in accessories, you understand the power of a finishing touch. How do you "accessorize" a room? What are the elements—the equivalent of the perfect handbag or jewel—that complete an interior space?
Vendome Press
Dee: Lighting, pillows and throws are jewelry. Trays, books, and objects add texture and story. I finish with symmetry somewhere—two lamps, paired chairs—so the eye can rest.
Giulia: We often see trends cycle from couture to ready-to-wear, and eventually into home décor. Can you recall a specific fashion moment, color palette, or texture from one of your collections that you were delighted to see find a new life within your interiors?
Tommy: Navy has always been a defining color in my collections — timeless, versatile and distinctly American. On the runway, it might appear crisp and modern, often paired with whites or bold accents for a sporty edge. When we’ve brought it into our interiors — on walls, upholstery and even lacquered finishes — it took on a new character. Suddenly, navy becomes grounding and elegant, a backdrop that made everything else in the room pop. What feels fresh and energetic in fashion translates into something enduring and sophisticated in the home.
A Partnership in Design & Life
Giulia: Creative partnerships require a beautiful dance of vision and compromise. Could you share an anecdote about a design element—be it a color, a piece of furniture, or an entire room—where one of you had a bold vision, and the other helped refine it into something unexpectedly brilliant?
Tommy: Creative partnerships really are a dance, and one of our favorite examples is the Coral Bar in Coral House. Dee had the bold vision to lacquer the room in a rich coral tone — it felt daring at first, but she knew it would bring warmth and vibrancy to the space. Together we refined the idea with bamboo trim, vintage barware and playful accents that balanced the intensity of the color. The result is now one of the most beloved rooms in the house — a place where friends and family gather, filled with energy, conversation and joy.
Giulia: In the grand production of designing a home together, who is the "dreamer" and who is the "editor"? Who conceives of the initial, sweeping vision, and who excels at curating the fine details that bring it to life?
Dee: Tommy is the big-picture dreamer; I’m the editor and finisher. He sets the vision, I refine the palette, textures and proportions until the room feels complete.
On Runway Style & Legacy
Giulia: The Tommy Hilfiger runway has always captured the zeitgeist, often with spectacular showmanship. As the definition of luxury and style evolves, what do you believe is the purpose of the runway show today? Is it for commerce, for art, or for cultural commentary?
Tommy: Storytelling. A show builds emotion that lives across platforms—part commerce, part culture, part entertainment. It’s where brand DNA is experienced, then shared, clipped and remixed by the audience. That energy drives everything that follows.
Giulia: Mr. Hilfiger, you have dressed generations. As you look at the landscape of emerging designers, what qualities or visions excite you and give you confidence in the future of American fashion?
Tommy: I look for a clear point of view, disciplined editing and respect for craft. The most exciting talents build communities, not just collections; they know their customer, communicate across platforms, and scale responsibly without losing identity. When design, values and business acumen line up, the future looks very bright.
Giulia: A final reflection for you both: You have built a global fashion empire and now, a stunning chronicle of your private world. When you consider the legacy you are creating, does it lie more in the ever-changing world of fashion, or in the permanence and personal history encapsulated within a home?
Tommy: I see my legacy in both fashion and in our homes. Fashion has allowed me to share ideas with the world — designs that are classic, optimistic and constantly evolving. But our homes are where those ideas become personal. They hold the art we’ve collected, the furniture we’ve chosen, and the memories we’ve made as a family. The runway shows the vision, but the houses keep the history alive.
Dee: For me, our homes are the most lasting part of our legacy. Fashion has given us a voice, but the way we live in our spaces gives that voice meaning. It’s in the traditions we keep, the warmth when friends walk through the door, and the stories told around the dinner table. If our interiors feel inviting, personal and a little daring, that’s the kind of permanence I want to leave behind.
The Talk with Olivia Lichtenstein - An Award-Winning Documentary Filmmaker
Mother and son, two of the finest alpinists of their eras, gone too soon, a quarter of a century apart.
Olivia Lichtenstein is an award-winning documentary filmmaker who had a distinguished career at BBC Television before becoming a freelance documentary and drama producer/director and journalist. Her latest work is a compelling true story of 30-year-old climber Tom Ballard who disappeared on one of the Himalayas' most deadly mountains, Nanga Parbat, in February 2019. THE LAST MOUNTAIN movie is directed by Emmy award-winner Chris Terrill, Emmy Award-winning producer Julia Nottingham and BAFTA Award winning producer Olivia Lichtenstein. It explores the forces that drove two mountaineers to their untimely deaths – a quarter of a century apart. One a mother Alison Hargreaves; the other her son British rock climber, alpinist Tom Ballard. We sat down with Olivia Lichtenstein to talk more about the movie.
Why did you choose to make the film about Alison Hargreaves and Tom Ballard? When director, Chris Terrill and I were both working at the BBC, we made a film about Alison Hargreaves in 1995 who died after summiting K2. The film, Alison’s Last Mountain, followed her husband, Jim Ballard and their two children, Tom, then 6 and Kate, 4 as they traveled to K2 base camp to say goodbye to her. Chris Terrill kept in touch with the family, intermittently filming Tom and Kate as they grew up as he planned to make a follow up film about them and their passion for the mountains. When Tom died on Nanga Parbat in 2019, this plan obviously had to change and, sadly, the film now became about what had happened to Tom. We wanted to celebrate Tom’s talent and to show something of how Tom and Kate had grown up with an intense passion for the mountains, a place where they both felt most alive.
What do you think drives the climbers to go and do something that can sacrifice their lives? Is it euphoria, adrenaline? Are they just like us? I think it’s difficult for non-mountaineers to understand quite what it is about mountains that drives people to climb them. Both Kate and Tom talk about an acute feeling of belonging in the mountains and the sense of oneness that they feel with them, standing with nature. The drive to get to the top feels like a primal need and perhaps represents the desire to be at one with the elements and understand one’s place in the world. As someone who prefers to drink a cup of coffee at the foot of a mountain and admire it from afar, I do feel that climbers are a breed apart, driven by a particular force. We non-climbers perhaps have different, metaphorical mountains to climb that satisfy our human desire to strive for something.
You've spent a lot of time with the family filming the movie. How did the family feel about making the movie? Particularly Kate Ballard in her final trip which was deeply emotional for the viewer.
Director, Chris Terrill has, over the years, almost become part of the Ballard family and this was an especially difficult film for him to make. It’s been very difficult for the family: while they were very keen for Tom to be celebrated and his life to be remembered, they’ve had to cope with their grief, which was very raw when we started making this film. For Kate, too, the trip to Nanga Parbat was a very tough journey to make emotionally; a parallel journey to the one that she made at the age of 4 to say farewell to her mother and which must necessarily have awakened the grief she felt then on top of what she was feeling now after the loss of Tom. Mountaineering and being in the mountains is so central to the Ballard family that along with their grief is the understanding that Tom died doing what he loved best - climbing. It was wonderful for Kate to be reunited with Ibrahim who had carried her on his shoulders as a child and to walk with him in the mountains once again and their reunion is one of the most profoundly moving moments in the film. He brought her great comfort on that difficult trip as did Chris, whom she has known nearly all her life.
Do you think Alison's fame in some ways pressured Tom to become more competitive and keep his mom's legacy?
It’s hard to know just what it is that drives people to do what they do. Mountain climbing was Tom’s raison d’être - his first ascent was in Alison’s womb when she was 6 months pregnant with him. I’m sure he must have had a powerful internalized sense of his mother and her achievements and a drive to achieve in his own right too. He came from powerful mountaineering stock, it was in his DNA. I’m sure, as well as keeping his mother’s flame alive, he was intent too on forging his own legacy and striving to fulfill his own extraordinary potential.
And what about Tom, was he pressured by his companion during his last climb? Was there something else that could have caused this? Could their death be avoided?
This is very difficult to assess. Tom, until then, had been a solo climber, relying on his own judgment for all his decisions. We won’t ever know what happened in those final hours and whose decision it was to make that fateful final ascent. It’s clear that Tom had thought about turning back, as Karim tells us in the film, but for whatever reason, he changed his mind.
Was this film a celebration of life and human achievements? What message were you hoping to deliver?
This is a film about passion and commitment, it’s also a film about family, love and loss. I think that’s why it’s having such an extraordinary response from viewers. Even if you’re not a mountaineer or aficionado, this is a powerful film about grief and how to climb the mountain of bereavement when you’re the ones left behind. As such, it resonates with everyone everywhere. Jim and Kate’s courage in sharing their story has touched so many and will, we hope, keep Alison and Tom in people’s hearts for many years to come.
THE LAST MOUNTAIN is a heart-breaking yet uplifting story about one of the world’s best climbing families, and their passion. Filmed over 25 years with intimate access and breathtaking archive footage, this is a must-see documentary that will tell the story of mountains and mountaineers as never before.
THE LAST MOUNTAIN is available on Digital and on Demand.
The Talk With Karmen Thomas - Activist
Greenham Common Camp Activist
On September 5th, 1981 a group of women came together to change the world. These women marched from Wales to Berkshire to protest over nuclear weapons being kept at RAF Greenham Common. The Greenham Common Women’s Peace Camp that followed, challenged world leaders, altering the course of history and went on to inspire millions as the world’s first and biggest female-only demonstration, preceded only by the suffragettes.
MOTHERS OF THE REVOLUTION, a feature-length documentary that tells the story of the extraordinary women behind the Greenham Common Peace Camp, heads to the USA this Fall.
Narrated by none other than former MP Glenda Jackson, the film shows how the protest started as a march organised by, among others, Karmen Thomas, a mother who was shocked by the government’s absurd Protect and Survive campaign and I sat down with Karmen to talk about the events at the time, the film and a valuable message to humanity today.
Film is available to watch on Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, Redbox, DIRECTV as download or rent it on Apple iTunes, Google Play Movies, Vudu, Amazon Video, Microsoft Store, YouTube, Redbox, FlixFling, DIRECTV, Spectrum On Demand online.
The Talk With Ashley Zukerman
.
Photography: Keith Photography
Styling: Grace Lee
Groomer: Laila Hayani
Art direction: Giulia Juliet Belkin
Among the dozens of rising actors in Hollywood today Ashley Zukerman stands out in the roles he has landed and for the attention he has received. The actor's latest work includes the Peacock series “Dan Brown’s The Lost Symbol” in which Ashley plays the lead character, professor Robert Langdon. You've also seen him in the hugely successful Fear Street trilogy on Netflix and in Succession where he potrays Nate Sofrelli, Shiv’s on-again/off-again lover. We caught up with Ashley in New York to chat about his work, life aspiration and dreams.
Wearing KYLE’LYK
Giulia: How do you stay in character and how do you shift between the roles?
Ashley: It’s different for every job. Some require more immersion than others. The material dictates that, also the conditions of the work. But it’s always about finding the differences between me and the character - and research.
Giulia: The Lost Symbol is a 2009 novel written by American writer Dan Brown and you play the professor Robert Langdon who studies symbols. How about yourself , are you a believer in symbols or signs?
Ashley: Symbols are just place holders for ideas. I don’t think you can believe in them. They just exist. If by signs you mean ‘am I a believer in omens?’ do I think ‘all things are connected and have meaning outside of that which can be explained’? I don’t know. I think my very pragmatic and logical approach to life has softened in recent years. Especially during The Lost Symbol.
Wearing KYLE’LYK
Giulia: How does it feel to play the young version of Robert Langdon in The Lost Symbol portrayed by Tom Hanks in the Da Vinci Code? Did he give you any tips?
Ashley: It’s a nice feeling to play someone that so many people already have a connection to. It’s an honor to have been chosen. And I enjoyed the fact that he’s a younger version of the character. So, although still connected to everything that’s come before he’s less formed, less complete, more rough around the edges - I could push him to be more closed minded, more arrogant.
Giulia: What do you look for in a role? What helps you prepare for it?
Ashley: I’m drawn to characters that are fighting for something. On the Lost Symbol, Robert keeps thinking about how much bullshit there is in the world, how many people are drawn to false heroes, how quickly people can be seduced by misinformation just because it ‘feels right’. Robert is a zealot against bullshit. Like any zealot, sometimes he can be too hard-lined, which stops him from being available to new ideas.
Wearing KYLE’LYK
Giulia: What was the biggest challenge filming The Lost Symbol?
Ashley: The speed. The speed at which we had to work. But challenge isn’t always negative. In our better moments, when everything was firing, when we’re all making the same piece, it can lead to interesting work. We tried to build that culture, capture the moment and move on.
Giulia: Do you have a dream role that you would like to achieve in your career?
Ashley: I don’t. The dream roles are usually dream roles because of who’s writing them, who’s directing them, and who the other actors are involved. I think as soon as I start thinking ‘oh I would love to play so and so’ I’m trapped. It would be more about my own ego. The character doesn’t exist outside those other elements.
Giulia: Is there anyone you would love to work with someday?
Ashley: Sure. I’d love to work with the cast of Manhattan again. Other than that, yeah, I’d love to see how a lot of people work. The names that come to mind are too obvious to list here.
Wearing KYLE’LYK
Giulia: What influenced you to go into acting?
Ashley: I still don’t know. I was drawn to it. I could come up with an answer now. And I have in the past. But it’d be an approximation, the surface of the decision. What the underlying reason was to choose a life like this… I don’t know. I’m lucky to get to do it though.
Giulia: If you had the chance to put something on billboards worldwide next week, what would it be?
Ashley: Eat less animals.
Giulia: What's next for Ashley ?
Ashley: I’ll be doing a film in Australia early in the year which I’m really excited about and scared of. And other than that, I’m helping some people develop films - that’s work that I’ve found very satisfying of late and I’ll keep doing that.
The Talk With David Wills - Author, Photographic Preservationist
Author David Wills
In honor of Nat King Cole’s extraordinary legacy as a singer, jazz musician, style icon, and civil rights advocate the book, NAT KING COLE: STARDUST by David Wills will be the first photography book ever published on the legendary entertainer. Australian born author, photographic preservationist and an editor David Wills has accrued one of the largest independent archives of original photographs.
What’s more exciting is that the book is created in collaboration with the family of Nat King Cole, Johnny Mathis has written an introduction for the book and Cole’s daughters, Casey and Timolin, have written the foreword. Celebrity contributors include Quincy Jones and Leslie Uggams.
Author David Wills and I sat down to chat about the book and some of the highlights.
Giulia: What inspired you to start writing?
David: My initial inspiration for writing didn’t come from writing itself—but from my love of photography books. As a small child, instead of frequenting toy stores, I was always in libraries and bookstores. I even used to make my own books out of butcher’s paper. That’s where I found beauty in life. To me books were like a portal to other fascinating worlds.
Giulia: Your new release, Nat King Cole: Stardust. What was your inspiration for this book?
David: The book was essentially a labor of love to commemorate Nat King Cole’s 100th birthday. I was originally approached about doing the book by the representative for Cole’s family. I was so honored. At the time I was surprised to learn that the definitive photographic retrospective had never been published. Johnny Mathis wrote a beautiful introduction and Cole’s daughters, Casey and Timolin, provided a heartfelt foreword. Casey and Timolin were only three years old when their father passed away. Therefore—their personal memories aside—they have primarily come to know him through family photos and stories told to them by their late mother, Maria. What they brought to my attention was the generosity and humility of their father, and the radiating effect that had—still has—on anyone whose lives he ever touched. Casey and Timolin have done an extraordinary job carrying on their father’s legacy with their non-profit foundation Nat King Cole Generation Hope, which provides access to music education for children with the greatest need. This book was essentially their idea and was made possible because of them and their love for their father and dedication to preserving his legacy.
Giulia: How did you come up with the title for this book?
David: “Stardust” is my favorite Nat King Cole song, and it just seemed an apt title for the book—a metaphor for the magic of his star presence and the soothing quality of his voice. The song has such a serene, dreamlike quality. Every time I hear it I feel like I’m being sprinkled with fairy dust and lullabied by a beautiful whisper. Cole’s producer, Lee Gillette, urged him to record the standard, composed by Hoagy Carmichael, in 1957. Cole initially resisted, even though he had been singing it on stage since 1954. He considered the number to have been covered, and well, by Ella Fitzgerald, Frank Sinatra, and others. He did one take, and subsequently sang it on the October 1, 1957 episode of his TV show. The single went to #79 on the US pop chart, #24 in the UK, but grew in status over the years to become nearly everyone’s preferred version. The poignant strings introduce Cole’s mellow tones: “And now the purple dust of twilight time. ...”
Giulia: What was your writing process like?
David: Putting together a photo book, particularly one of this size, requires you to wear many hats as an author. Writing is of course an integral part of telling the story, but each photograph is also worth a thousand words. I generally start with research and interviews, put together a skeleton essay, and then beef it out for the final version. Needless to say you make adjustments for many months until you feel it’s just right. That said, I always find it difficult to reread my books, after they have been published, as there are always things I wish I could change.
Giulia: Tell us about the process for coming up with the cover?
David: For the cover I wanted to capture the essence of Nat King Cole as a gentleman, an entertainer, and particularly as a style icon. At the height of his fame, Cole earned a reputation as one of the most sharply-dressed men in the business. In fact, the term “natty dresser” was apparently coined in reference to Nat. Therefore, I felt the photo of Cole wearing the tuxedo—chic black and white against the drama of a blazing red backdrop—was perfect. A cropped version of the image originally appeared on the cover of the soundtrack for St. Louis Blues (1958). When I discovered that Capitol Records had the original transparency in their photo archive, I was thrilled to be given the opportunity to reproduce it for the book’s cover.
Giulia: What were the key challenges writing this book?
David: When writing a book about any notable person, you always feel an enormous responsibility to represent them in a way that is both entertaining and educational. I’m also very mindful of accentuating the positive. These extraordinary entertainers—whether it be someone like Nat King Cole, Frank Sinatra, Marilyn Monroe, or Audrey Hepburn—are gifts to the world, and gifts that continue to keep on giving. They should be treated with love and respect. Also, as an author it’s always an interesting challenge to do a photo book on a man. This may sound odd, but with female subjects (like Marilyn or Audrey) your work is done for you—because of the variation in hairstyle, makeup and costume. With men you have to work harder. In the case of Nat King Cole, I was extremely fortunate that the body of photography was so strong and varied.
It was very important to me to highlight Cole’s significant role in the civil rights movement. Though not exactly on the front lines, he brought black and white people together through his music. For millions of white Americans Nat King Cole was their first experience of a black person being part of their household, their daily soundtrack—whether it was watching him on TV or listening to his records. Also, just by being himself, he broke certain stereotypes unfairly placed on black people through decades of injustice. He was sophisticated, he was elegant, he was charming—he was extraordinarily talented. Basically, he was just himself—a beautiful and refined human being. It was a uniting experience for Americans.
Giulia: What were the highlights of the book?
David: Johnny Mathis’s introduction, Casey and Timolin’s foreword, and contributions from people like Quincy Jones and Leslie Uggams. The book also includes rare personal letters and telegrams from President John F. Kennedy, President Dwight D. Eisenhower, President Lyndon B. Johnson, Jackie Kennedy, and Martin Luther King Jr. One of the main highlights of Nat King Cole: Stardust is definitely the extraordinary photography. As the book is extremely large in format—14x17.75 inches—it was very important that the images be of the most exceptional quality. For this reason, we went back to original negatives, transparencies and photographs. In some cases, images had to be scanned and laboriously cleaned and color corrected to restore them to their original vibrancy. Capitol Records was wonderful in their understanding of our need for first-generation source material, and the book contains many never-before-seen or published images from their archive.
Giulia: Describe your writing space.
David: I have an office in Palm Springs, but my writing space is essentially wherever life takes me. I spend a lot of time on the Sunshine Coast in Australia, so I work there too. I find it’s important to vary my creative environment.
Giulia: What are you currently working on?
David: Currently book projects on Palm Springs, Nancy Sinatra, Alfred Hitchcock’s Psycho, the fashion photographer Henry Clarke, and a few others in development.
Giulia: Where can readers purchase this book?
David: The book will be available on Amazon and also through our website nailorwills.com
NAT KING COLE: STARDUST features over 200 photographs—many never before seen or published and digitally restored from their original negatives and transparencies. It will also include rare images from the Capitol Records photo archive. Cole’s estate has also provided never-before-seen letters and telegrams from President John F. Kennedy, President Dwight D. Eisenhower, President Lyndon B. Johnson, Jackie Kennedy, and Martin Luther King Jr.
The Talk With Lola Astanova - Emmy Award Winning Pianist.
Emmy Award Winning Pianist.
Interview by Giulia Juliet Belkin
Eighty-eight keys never met someone quite like her. Dazzling modern day virtuoso, Emmy Award winning pianist, Lola Astanova is a musical firecracker in red soles. Elegant, delicate, prim-postured, much like designer Christian Louboutin imagines the women behind his famous shoes. Lola owns several dozens of them and is often spotted wearing a pair of red bottoms during her performances.
In 2012, Lola Astanova was invited to perform at Carnegie Hall for a special Tribute to Vladimir Horowitz gala which was chaired by US President Donald Trump and hosted by actress Julie Andrews.
In 2014, Lola was introduced on stage by American TV personality Kris Jenner during the performance at the New York Ball while honoring the editor-in-chief Franca Sozzani of Italian Vogue magazine.
Most recently, in 2018, Lola was personally invited by President Donald Trump to perform the American National Anthem at the White House for the Independence Day celebrations. Some of Lola’s students are well-known figures, like the tennis star Novak Djokovic.
Lola Astanova and David Foster
Giulia: You are an Emmy award winning pianist, who played twice for President of the United States, who performed with Andrea Bocelli, whose music moves music moguls like David Foster. What is your secret for success?
Lola: In my view, the three key ingredients for success are actually quite simple: you must stay true to who you are, you must maintain laser-sharp focus on your goals, and you must have the stomach for uncertainty. There are other important elements, of course, like a committed team, good connections, and just sheer luck, but those typically evolve from the first three ingredients.
Giulia: Can you share what you played at the White House? What was that experience like for you?
Lola: I played the National Anthem and the “Rhapsody in Blue” – an American classic by George Gershwin. For a first generation American to perform the US anthem on Independence Day at the White House in front of thousands of military veterans and their families is an emotion that I can hardly put into words. I was proud, humbled and honored to be a part of that special night.
President Donald Trump and Lola Astanova
Performing at the White House
Giulia: What are some of the challenges you faced on your way to success?
Lola: I think I could write a book on this subject. But the most disappointing one would have to be getting disillusioned with the people I used to admire and learning the difference between “famous” and “good”.
Giulia: I couldn’t agree more with you on this one.
What has been the most memorable performing experience for you and why?
Lola: My Carnegie Hall debut was truly memorable. I performed on the main stage at Carnegie Hall in front of the sold-out crowd, I played Vladimir Horowitz’s own piano, I was introduced on stage by the future President of the United States, the concert was hosted by Dame Julie Andrews and all profits went to support the American Cancer Society. It was also a special fashion night for me because I wore custom dresses designed by Roberto Cavalli and Marc Bower, and some extraordinarily beautiful jewelry from Tiffany.
Giulia: What was it like working with Andrea Bocelli?
Lola: A couple of years ago Andrea invited me to perform with him in his native Tuscany, and we made a documentary about it called “The Journey to the Theater of Silence”, which gives a glimpse into Andrea’s life and the experience of performing together. He is someone who has a unique appreciation for beauty in music, and who is very genuine in his expression.
Giulia: Now let’s talk about your skills. You play piano upside down, with eyes covered, while doing work out or playing on two pianos simultaneously. How? Is this a gift or a result of hard training?
Lola: Maybe a little bit of both (Laughs). When you reach a certain level of mastery in your craft, I think you can afford to have a little fun with it.
Giulia: Who were your biggest teachers in life?
Lola: In music, my main teachers were Tamara Popovich, Lev Naumov and Mark Rusak – all three extraordinarily gifted and selfless music teachers. But in a broader sense, this question is harder to answer, because I constantly look to grow and I’ve had many different teachers along the way - both people and circumstances - for which I’m grateful and stronger.
Giulia: What are some of your favorite classical pieces?
Lola: My favorites change all the time, but Rachmaninoff 2nd and 3rd concerti always seem to be among them.
Giulia: Besides being musically oh so talented, you are a woman of fashion. How many pairs of Louboutin’s do you have?
Lola: Fashion and music have always been connected, and for me one inspires the other and vice versa. Frankly, Chopin, Liszt, Rachmaninoff and many others were known as fashionistas back in their day. As for my Louboutins - if I were to guess, I’d say I have several dozen, but I could always use a few more (Laughs).
They are impossible to walk in, but the shape is perfection!
Giulia: What designers do you admire?
Lola: I’ve always admired Tom Ford, Domenico Dolce, Balmain and, of course, the late great Karl Lagerfeld. I think he was a historic figure, larger than the fashion industry itself and, in some ways, I also consider him my teacher.
Giulia: You performed at a Vogue event. Can you share what it was about and what was that experience like?
Lola: I did play for a special Vogue event, it was an evening honoring Franca Sozzani - the legendary Editor-in-Chief of Italian Vogue. It took place shortly before her untimely passing, so our conversation after my performance is a bitter-sweet memory now. Much like Karl, she was someone who transcended the fashion world and addressed social and cultural issues. She was fearless.
Giulia: Who would you want to perform with in the future?
Lola: I love to explore artistic collaborations because there is always an element of unpredictable magic that is possible when you work with other great artists. I would love to record a duet with Ariana Grande, I think she is a fantastic vocalist. And would also love to do a collaboration with a great hip-hop artist like Kendrick Lamar.
Giulia: How does quarantine affect your work today?
Lola: With the exception of cancelled performances, not that much. I am in my home studio daily, working on new material and putting together plans for when things return to normal.
Giulia: And finally what is next for Lola Astanova that we should get super excited about?
Lola: I am working on a new performance program that will feature both classical and electronic elements. This May, I released a new track titled “Elise Was Here”, which gives a tiny hint about the new direction, but once completely put together, the new live show will be something spectacular. I’m also excited to participate in an intriguing Michael Jackson project that his official team is contemplating. Michael was one of my inspirations, so to work with his music legacy will be truly special.
Giulia: That is Grand! I am super excited and looking forward to seeing this.
Thank you for your time and best of luck!
The Talk With Dr. Carolyn Chang - San Francisco’s Premiere Plastic Surgeon
“I think the biggest thing to realize is that most often plastic surgery cannot drastically change someones overall appearance. It really works best to enhance what someone already has. The results though, can be quite stunning and transformative depending upon what the starting point is. “
Interview by Giulia Juliet Belkin
Beauty and body positivity are part of the cultural lexicon today. According to American Society of Plastic Surgeons the number of cosmetic procedures performed today grew by nearly a quarter of million, which means feeling beautiful and nurturing beauty plays an important part for many of us.
We sat down to chat to San Francisco’s premiere Plastic Surgeon, board-certified plastic surgeon, and the Vice-Chairman for the Department of Plastic Surgery at California Pacific Medical Center, Dr. Carolyn Chang.
Dr. Chang graduated with a Bachelors of Science degree with honors from Stanford University and received her medical degree from Stanford University Medical School, where she was the recipient of the Dean’s Award for Excellence in Clinical Medicine. Dr. Chang is a mother of two, who admires fashion and is the guest of honor at mosts glamorous events in San Francisco and beyond.
Giulia: What does beauty look like, according to a plastic surgeon?
Dr. Carolyn Chang: To me beauty comes in all shapes, sizes, ages, genders, and races. The unifying characteristic is an inner glow that outwardly radiates confidence, contentment, and comfort in one's own skin. Plastic surgery can help achieve that indirectly by improving certain features, helping to build self confidence. But ultimately beauty does not come entirely from external appearance. It comes from within.
Giulia: How did you begin your career in medicine and what made you decide to go into this avenue in medicine?
Dr. Carolyn Chang: I grew up in a scientific community so I always thought that science and research was the way to make a living. I excelled in and enjoyed the sciences but realized early on though that I wanted to do something more personally interactive than just that, and medicine seemed like a nice compromise. In medical school my mentor was a female plastic surgeon, the only one on staff at that time at Stanford where I did my schooling. She brought me into the operating room early on and I was hooked.
Giulia: What cosmetic surgery do you specialize in ?
Dr. Carolyn Chang: I perform all types of cosmetic surgery. I specialize in a natural aesthetic and that is what I am known for. My training and experience is unusual in that I had formal fellowship training in facial aesthetic surgery with one of the founders of the way we do facelifts today. And then when I started practice I joined a very busy prominent all female breast and body practice so I effectively had 2 fellowships. I am one of the only surgeons in the area that does breast and body equally as well as facial surgery as a result.
Giulia: Plastic surgery is huge today, what makes a doctor a good plastic surgeon?
Dr. Carolyn Chang: Experience, volume of surgery, and consistency is very important from a technical standpoint, but overall aesthetic judgement and attention to detail is what truly differentiates the best from the rest of the pack.
Giulia: What should patients know before going under the knife?
Dr. Carolyn Chang: Patients need to make sure that their surgeon and anesthesiologist and facility has the appropriate credentials, obviously, and that they have their postoperative recovery plan in place. But beyond that, they need to make sure that they understand all of the risks and benefits of the procedure that have chosen and that reasonable expectations of their result have been set. They also need to make sure that they are on the same "aesthetic wavelength" as their surgeon. Good comfortable communication with your surgeon is paramount to getting the result that you want.
Giulia: Do you ever say "No" to patients?
Dr. Carolyn Chang: Absolutely, I only operate on approximately 50% of all that I see for various reasons. One of those reasons is that I cannot achieve the result that the patient wants. An evaluation of whether someone has realistic expectations is important and another evaluation of whether the desired aesthetic is achievable technically is also necessary. In order for me to take someone on as a patient, I have to be 100% sure that they have something that I can fix or enhance and that they will benefit from that enhancement.
Giulia: Do you ever have patients who come in asking to look like celebrities?
Dr. Carolyn Chang: Not so often do I get that request. More often I get the request NOT to look like someone. You can guess who some of those celebrities might be!
Giulia: What are the most requested procedures in your practice?
Dr. Carolyn Chang: Tummy tucks, breast surgery, facelifts, and eyelids
Giulia: Women in San Francisco live exceptionally busy lives, what are the most effective procedures that have the least downtime?
Dr. Carolyn Chang: Eyelids and breast surgeries
Giulia: What about men?
Dr. Carolyn Chang: Liposuction and eyelids
Giulia: Most common problem I hear about these days is under eye bags or excess skin on the top of eyelids? What service would you recommend today?
Dr. Carolyn Chang: An upper or lower lid blepharoplasty (eyelid lift) will take care of bags under the eyes and extra skin. Upper lids can be done in the office under a local anesthesia. The lower lids need more anesthesia to be comfortable but can be done in some cases with no external scarring. both procedures have a short recovery period and are relatively painless.
Giulia: Can you share with us one or perhaps two treatments you are most excited about and why?
Dr. Carolyn Chang: When patients ask me what the one thing they can do easily that can make a big difference in freshening their look, I always think upper blepharoplasty. Most people from the mid to late thirties on up can benefit from a subtle upper lid eyelid lift, particularly if botox is not working for them anymore. It is a small procedure with very little recovery that can make a huge difference making someone look more youthful and refreshed. Another small procedure that can yield surprising results is upper arm liposuction. This too is a small procedure with an easy recovery that can really give someone a slimmer look.
Giulia: Would you call plastic surgery a form of art?
Dr. Carolyn Chang: In the world of surgery, plastic surgery is definitely artistic. And to be a good plastic surgeon one must have a keen creative and aesthetic sense. But I prefer to think of plastic surgery more as remodeling. As a plastic surgeon I am not creating something from nothing like a painter, but I am recreating something better from a previous foundation. It has always been my philosophy to enhance someone's features and not change them completely. I want to preserve the essence of someone's look and character so that they are the best version of themselves.
Giulia: You are not just a surgeon but also a mom to two precious kids. How do you balance work and family life?
Dr. Carolyn Chang: My life is very structured and there is very little free time. When I am working I often leave the house by 6 am and am not home until after 7 pm. Finding time to spend with my children is so important so I always try to be with them before bedtime and on the weekends. Having good consistent help with the care of them has been vital, but nothing replaces the quality time that I prioritize for them. The ability to spend days on end with them at home because of this horrible pandemic has been the biggest unexpected blessing.
Giulia: Would you want your kids to follow your path in career ?
Dr. Carolyn Chang: I think that medicine and especially surgery is a fantastically interesting and rewarding field. There are a lot of problems with the practice of medicine these days so in that sense I would not necessarily encourage it, but if any of them truly wants to pursue a career in medicine for the love of it, I would be their biggest cheerleader.
Giulia: It seems more than ever, people are opting to go under the knife to change their appearance. Is there any advice you would give to someone looking to change their body via surgery?
Dr. Carolyn Chang: I think the biggest thing to realize is that most often plastic surgery cannot drastically change someones overall appearance. It really works best to enhance what someone already has. The results though, can be quite stunning and transformative depending upon what the starting point is.
Giulia: What has the impact of the Coronavirus pandemic had on your line of business?
Dr. Carolyn Chang: The coronovirus has completely upended the entire medical field and the ability to deliver medicine. It has devastated much of medicine and ancillary medical services financially. Plastic surgeons for the most part are unable to deliver care, even reconstructive services, and so the near future is unnerving. The pandemic however will eventually be more manageable and things will not always be this dire. Medicine will recover, and people, no matter what, will always want to look their best.
The Talk With Mirta de Gisbert - Gemologist
INTERVIEW BY Giulia Juliet Belkin
PHOTOGRAPHY by Mirta de Gisbert, Zach Boysjoli
It isn’t a Mother’s Day without a little bling, and in 2020, when all of us most likely will be celebrating at home, diamonds will matter even more. Throughout the year, trends filtered in and out, but the demand for diamond, platinum, and gold never died down. Today when fashion influencers across the world are locked down at home, sporting relaxed looks, the bling is still present, because even pajamas go fabulous with a bling, because diamonds are indeed, a girl’s best friends.
But how to choose your diamond if you’re not a specialist or simply don’t know what she’ll like the most. I chatted about gemology with an expert, Mirta de Gisbert, whose Instagram account I have been eyeing for some time now. It’s a real eye candy, especially for ladies.
Giulia: For those who may not know what a gemologist is, what is it and how did you become one?
Mirta: A gemologist is someone who is certified to identify and grade both diamonds and colored stones. There are different schools where you can get certified, but I personally chose the Gemological Institute of America (GIA) because they are the standard when it comes to diamond grading. After all, they created the 4Cs, so what better way to learn than straight from the source. The graduate gemology (G.G) degree is divided into diamonds and colored stones. Additionally, I also got my graduate pearls diploma and advanced jewelry professional (AJP) diploma.
Giulia: Who inspired you?
Mirta: I found the inspiration within myself but with the help and support of my parents. In 2009, when I told them I wanted to discover what I wanted to do, they could not have been more supportive. I quit my job in Washington, D.C., moved to London and took the next steps to discover my passion - it was the best decision I’ve ever made. You only live once and I firmly believe that if you’re able to, you should allow yourself to find what makes you happy. I am very aware of how incredibly fortunate I was to be able to do this and I still pinch myself to this day.
Giulia: Where did you study for Gemology?
Mirta: At the Gemological Institute of America (GIA) in London.
Giulia: Where are you from originally?
Mirta: I’m from Spain. I was born in Madrid, but my family is from the Basque Country. When I was seven, we moved to Joburg and lived there for 21 years! Since South Africa, I’ve lived in Washington, D.C. (I got my B.S. at Georgetown University), London, San Francisco and now New York.
Giulia: Why do you think it's important to consult with a gemologist when buying a diamond?
Mirta: You get the peace of mind that you are working with someone who has the credentials to evaluate and grade a diamond. That being said, I have also learned a great deal from dealers, jewelers and sales professionals, who didn’t have their gemology degree but learned by being on the job.
Giulia: What do you like best about your job?
Mirta: There are so many things but the top four would be:
Creating pieces of jewelry because they become storytelling/memory vessels.
Speaking with a client who wants to propose or buy a surprise gift for their significant other and the love for their partner is palpable. My heart simply melts.
I love having my clients trust me to push them outside of their comfort zones to find styles of jewelry that really resonate with them.
Being a female founder and meeting other badass female founders.
Giulia: For everyday buyers who don't have professional training, what are some simple things they can look for to help distinguish high-quality Diamonds from lower-quality ones when they are out shopping for jewelry?
Mirta:
Are there any face up eye-visible inclusions?
Check the diamond’s shape and proportions to ensure the stone is symmetrical and meets the ideal proportions relative to the shape.
Ask for a certificate – in terms of certification, I only work with GIA. There are lots of other labs but the one I trust is the GIA.
Move the stone or the piece of jewelry under the light to check that it has life – in technical terms, check its fire, brilliance and scintillation (sparkle).
If in doubt, reach out to me or someone like me who can provide you with professional objective advice.
Giulia: Diamonds are always in style, but what are some other stones you see becoming popular in the jewelry industry?
Mirta: Different colored sapphires, emeralds, opals and pearls. Rubies have been pretty quiet but I think they are going to make a comeback. The use of color is becoming more and more popular which I love!
Giulia: What's a typical day like in Mirta's life?
Mirta: Every day is different, but I really like and need a morning routine – it grounds me. On a “perfect” day, I wake up at 5:45, journal, meditate, get a workout in and get ready for the day. I take Mosi, my Frenchie, on a nice walk, and prepare my breakfast (it varies from ‘pan con tomate’ to an egg white omelet and some veggies). I’m Basque which means I’m a big foodie and breakfast happens to be my favorite meal! Regardless of whether I get all that done, I’m always on my computer by 8:30. I usually finish by 18h or 18h30 but I’ll be answering emails or texts from my jewelers or clients in the evening. Some days I put my phone away at 18h30 and don’t look at it until the next morning and other days, I’m looking at it until I go to sleep!
Giulia: Is Mosi a fan of diamonds and precious stones?
Mirta: Most definitely! Whenever I show him a ring, if it has diamonds or sapphires, he tends to look at it as if it’s a treat for him! What can I say, he takes after me!
Giulia: As an expert in the field, what sorts of luxury jewelry are you most taken by these days, and why?
Mirta: I love anything with a baroque pearl or a star sapphire! I also absolutely love emeralds. I have noticed myself being drawn to opal pieces as of late.
Giulia: Any exciting new jewelry trends you predict for the near future?
Mirta: Gypsy rings and Toi et Moi rings have made a very big comeback and people are becoming more receptive to pearls as jewelry designers make them more modern through their designs. Using eternity bands as engagement rings is also trending.
Giulia: Are diamonds a Girl's Best friend?
Mirta: I would say first, get to know yourself, become best friends with yourself and THEN, treat yourself to some diamonds and jewelry!
Giulia: Why did you decide to launch your own jewelry consulting company?
Mirta: I launched my jewelry consulting company to shift perception that purchasing jewelry is overwhelming and always requires a significant investment. As a gemologist, curator and stylist, my mission is to excite and empower my clients by showing them how to maximize the 4Cs to get the best quality and value as well as discover new jewelry designers and styles. On bridal and bespoke pieces, I source the stones and create the pieces at close to wholesale prices. Through the intrinsic storytelling power of jewelry, my vision is to create connections, bring joy and uplift my clients with pieces that truly resonate with them.
Giulia: How is Coronavirus affecting you personally?
Mirta: First and foremost, seeing my family. I was meant to fly home to France for the weekend of March 29 to be with my dad and brother because it marked two years since my mom had passed away and I had to cancel my trip. I was also meant to go to London to visit my brother this weekend and I had to cancel that too. Not knowing when I’ll next be able to see my dad and brother is not a great feeling but I’m taking it day by day and thankful they are safe.
Giulia: Does it have any effect on your job or vice versa?
Mirta: Absolutely. Projects have been less frequent but in full transparency, given the current situation, I haven’t been pushing for them and instead only focused on connecting (with family, friends, clients, creating new friends on Instagram) and providing support to those who want to connect over a shared love of jewelry.
I created the #MyJewelsMyWay challenge on Instagram to connect over our love of jewelry, especially while we are practicing social distancing. I thought it would be fun for folks to go through their jewelry, even the pieces they haven’t worn in some time, and find different ways to wear them. Jewelry is incredibly personal and since it has the power to bring joy, empower and uplift us - why not use it to connect us! I have also been offering complimentary phone/FaceTime consultations where we chat about all things jewelry from people asking me jewelry questions to sharing their favorite pieces to seeking advice for their jewelry business. Feeling connected is more important than ever and I have been wanting to find ways to keep ourselves entertained and bond.
Giulia: Mother's Day is around the corner but since all of us are on lockdown, shopping for a gift becomes a challenge. Especially when it comes to diamonds or precious stones. This is where I feel like your services would be very handy for so many of us. Can you please tell us how your expertise can help in this uneasy time?
Mirta: Happy to! I think now more than ever, is the perfect time to explore different styles and designers and hone in on your jewelry style. As such, I would recommend if you’re a mom who wants to treat herself or you have a mom in your life you want to spoil, give the gift of working with your own personal jewelry consultant! As a GIA certified jewelry consultant, I help discover or enhance your/her own personal jewelry style. Since I am not a store and don’t hold any stock or inventory, my recommendations are objective, completely prioritizing the clients’ needs and providing me access to jewelry designers on a global scale. The first step is booking a complimentary phone/FaceTime consultation with me, where I get to learn more about the client through a detailed intake questionnaire. In terms of working together I can do one or all of the following:
1. Style the client’s current jewelry pieces.
2. Identify gaps in the current jewelry collection
3. Curate a tailored selection of jewelry pieces across a variety of styles and price points.
4. For those looking to create your own bespoke piece, we can have the intake consultation and once the world returns to normalcy and jewelers are back at their benches, we can source the perfect stones and create your piece!
Giulia: On that note, can you elaborate more on your services?
Mirta: Of course! I work on all aspects of jewelry from bridal to bespoke to fashion to fine and with all budgets and all locations. We can work together on a special projects basis and/or via my subscription service.
Special projects:
This includes working with me to create your bridal or bespoke piece at close to wholesale pricing.
Similar to a stylist, we can work on an ongoing basis to source and style your jewelry, seasonally or for special events.
Subscription service:
Through my annual subscription service, I provide a quarterly delivery of jewelry recommendations customized to the season and/or special occasion, specified by the client (birthday, anniversary, Christmas, Valentine’s Day, etc.). Men particularly love the subscription service because it ensures they never forget an important date and a tailored gift idea is sent their way, well in advance of said important dates!
Giulia: Where can our readers follow you online?
Mirta: On Instagram (@mirtadegisbert) and my website (www.mirtadegisbert.com).
The Talk With Allison Munn - Actress
INTERVIEW BY GIULIA JULIET BELKIN
PHOTOGRAPHY RYAN WEST PHOTOGRAPHY
You’ve seen Allison Munn on television for the last two decades … “That 70’s Show,” “What I Like About You,” “One Tree Hill,” Nickelodeon’s biggest series “Nicky, Ricky, Dicky, and Dawn” as mom to the foursome, “Anne Harper” – to name a few!
Allison joins us to talk about her newest show “The Big Show Show” where she plays WWE superstar Paul Wight aka Big Show’s spitfire wife ‘Cassy.”
Giulia: First off let me tell you how excited I am to have you as our guest, because I remember watching you on Nicky Ricky Dicky and Dawn sitcom with my daughters.
Allison: Thank you so much! We had a ton of fun on Nicky, Ricky, Dicky & Dawn!
Giulia: I know you began your career in off Broadway- musical and it was the longest running musical. What made you move into movies? Was that transition easy for you?
Allison: The Fantasticks was my first big job in New York. I performed in 8 shows a week for two and half years - it was exhilarating and exhausting. I would take a few days off here and there to do commercials or guest stars on shows like Law & Order, SVU and Now and Again and I discovered that I loved it. After performing in almost 500 shows, I decided to leave The Fantasticks and move to Los Angeles to pursue more film and tv roles. My first jobs in LA were on sitcoms that shot live in front of a studio audience so I feel like my background in theater helped ease the transition to being in front of the camera.
Giulia: Loved you in That 70's show as Fez's stalker Caroline. Such a great cast and a great show. What was it like on set? Any amazing stories from that experience?
Allison: Ah - that was such a fun role. How lucky was I to get to play such a crazy and passionate character? I joined the cast in their third season, when the show was already big hit. I remember being so nervous to shoot my first episode in front of the audience. That ‘70s Show was my first job in LA and I remember the cast being so kind a welcoming to me. They invited me out with them after show nights and became my first friends in LA. I’m still so grateful for that.
Giulia: I am excited to see you on Netflix's multi-camera family comedy Big Show Show with WWE superstar Paul Wight. I know it's already out. Why should we be excited to see it?
Allison: The Big Show Show is a really fun sitcom that the whole family can sit down together and watch. The series starts out with WWE Superstar Big Show retiring from wrestling and taking on the biggest challenge of his life - his family. It’s currently streaming on Netflix worldwide.
Giulia: Who is your character and why would we love her?
Allison: I play Cassy Wight, Big Show’s wife. She devoted mom to her daughters and step-daughter, a loving wife and a successful career woman. She the kind of mom who has it all together…until, at one point in the show, she doesn’t. Her family builds her back up again and she’s better than ever.
Giulia: What's it like to work with a WWE superstar?
Allison: Working with Big Show is a dream. He’s funny, kind and one of the hardest workers I know.
Giulia: Besides work I know you are a mom of two. How does Covid-19 affect your work and family today? How are you guys coping with it?
Allison: Well, we’ve been quarantined together for over a month now, and it’s going well…I think? Some days are better than others, haha. My husband and I have been homeschooling them and trying to keep the days fun. We’ve done a bunch of puzzles (we’re currently on #8) and we set up a tent in the back yard to camp out under the clear, smogless LA sky. That was fun. We go on walks and schedule Zoom meet-ups and do the occasional birthday drive-by.
Giulia: Do you think life after a pandemic will change? If so, how ?
Allison: I think about this all the time. Will more people choose to keep homeschooling their kids? It’s not for me but a lot of parents in my community are enjoying the freedom it allows. Will a majority of our doctor appointments change to Telemedicine? When can we see concerts again, go to games? Will companies see how much easier & cost-effective it is for their staff to work from home? Will I ever feel comfortable when a stranger has a coughing fit at a coffee shop? Will I still be a hugger? There are still so many unknowns and I think that’s adding to the anxiety we feel when we look at what’s happening in the world.
Giulia: You are a big supporter of Rock the Vote which builds the political power for young people. What do you want for the younger generation to be in terms of politics? Why do you think it's important?
Allison: I’m passionate about getting young people to the polls. Our country has one of the lowest rates of youth voter turnout in the world. Many people like to blame it on apathy but that’s not necessarily the case. Studies have found that a lot of young people want to vote and care deeply about what’s going on in the world, but are intimidated by the complex voter registration rules. Rock the Vote helps young voters navigate the voting process and empowers them to use their voices. I love that this organization has been around for over 30 years and that they’re nonpartisan.
Giulia: Since JOLIEGAZETTE highlights fashion, I would love to hear your opinion. What do you like about fashion today and what would you change?
Allison: Well, personally I love that high-waisted jeans and pants are in fashion. Loving the oversized blazers as well. Oh - and sneakers! I’m really into comfort these days, can you tell? On the other end of the spectrum, I’ve been seeing a lot of bermuda shorts lately and I can’t believe my eyes. They were so unflattering when I was in middle school - I can’t imagine they’ve gotten any better. Haha!
Giulia: Do you work with a stylist or prefer to style yourself ?
Allison: Given the chance, I definitely prefer to be styled by someone else. I’ve learned that putting a great outfit together is not one of my talents and that it’s best to leave that to the professionals. Haha.
Giulia: Sustainability, recycling fashion, vintage, consignment is becoming a big deal today. How do you feel about it?
Allison: Sustainable fashion is healthier for our planet and the people who live here. It reduces our carbon footprint, saves natural resources and saves animals lives. I love that the fashion industry is moving in this direction.
Giulia: If you could turn time back, what advice would you tell your young self? Why?
Allison: I would tell my young self to enjoy my down-time between jobs and not stress too much over getting the next one. Take the trips - missing one audition won’t make or break her. I’d also like to tell Young Me to sleep in, read all the books, go to all the movies, take all the workout classes & learn a new language because pretty soon she’ll be married with two kids and she’ll find it almost impossible to find the time to do those things again.
Giulia: What is next for Allison?
Allison: Agh - I wish I knew! This Coronavirus lock-down has us grounded for at least another month and I’m not sure what the future holds beyond that. I have a few projects in the works and hopefully we’ll get a Season 2 of The Big Show Show. In the meantime, I’m laser-focused on finishing Puzzle #8.
Giulia: Thank you Allison. For everyone who enjoyed this conversation, check out Netflix’s the multi-camera family comedy “The Big Show Show” with Alison Munn and WWE superstar Paul Wight aka Big Show, premiered on April 6,2020.
The Talk With Elizabeth Grullón - Actress
INTERVIEW by Giulia Juliet Belkin
Photography: ASHLEY NGUYEN
From young girl dreaming of becoming an actress to her own action figure, actress Elizabeth Grullón is the definition of self-made in Hollywood. A product of humble beginnings, she is a first generation American born to Dominican parents in Queens, NY. Since an early Elizabeth found films as an inspiration in life and her parents supported her dream. Elizabeth pursued her acting by attending the University of Minnesota/Guthrie Theater B.F.A Actor Training Program where she met Ken Washington, the father of the program and mentor to the likes of Oscar winner Maheshala Ali. Ken encouraged Elizabeth and her parents to send her to the program.
Elizabeth career began with a series such as FX “Mayans M.C.,” ABC “Scandal,”, ABC “The Catch", CBS “Criminal Minds.” She was also the voice of ‘Camilla’ in Disney’s “The Owl House.” Some of her latest achievement include landing the role of Abigail Hayes, wife of a newer character Dr. Hayes, played by Richard Flood on the “Grey’s Anatomy” show.
Elizabeth also performed full motion capture for the highly anticipated video game “Star Wars Jedi: Fallen Order” as the central antagonist ‘The Second Sister;’ aka 'Trilla Suduri,' once a promising Jedi, now an Inquisitor for The Empire and the final boss to beat the game. With this role Elizabeth Grullón has become a fan favorite and is officially part of the Star Wars canon including her very own action figure.
When Elizabeth is not acting she teaches meditation and mindfulness in Los Angeles. An avid meditator, Elizabeth empowers herself through meditation which helps her to find her authentic voice in the industry.
Giulia: How did you start your Hollywood career?
Elizabeth: My mentor at the actor training program I attended at the Guthrie Theater, Ken Washington, introduced me to my first manager while I was still living in Minnesota. A year later, I moved to LA without a single connection except for that manager. We met and they started sending me out on amazing auditions right away but I don’t think I was ready at the time. It took years of slugging away at auditions, doing small guest roles here and there, commercials and trying different approaches before things started falling into place a bit more. I credit meditation with helping me release into a sense of alignment and flow. As I became more intimate with myself and began valuing myself more the jobs roles got better and more “me.” Ultimately, I think success is about feeling worthy.
Ms.Grullón is committed to using her voice to help protect the planet and the environment. She believes Earth is the most sacred gift that we have been given and therefore will be lending her voice to the issue of climate change as well as pushing for legislation to protect the planet. Elizabeth also plans on joining forces with her mother, Mercedes, a retired head start teacher for low income families, to help children of undocumented parents gain access to basic resources and medical care.
Giulia: How does it feel to become part of the iconic TV series, "Grey's Anatomy"?
Elizabeth: It’s such an honor! I have so much respect for the show and everyone involved. It’s impressive to witness the evolution of a series like that over so many years. I feel grateful to be a small piece in a magnificent puzzle.
Giulia: Can you share a little about the character you are portraying?
Elizabeth: Yes! I play Abigail Hayes, wife of a newer character on the show, Dr. Hayes, played by Richard Flood. The audience gets to see our relationship develop over a series of flashbacks which give a lot more insight into Dr. Hayes.
Giulia: What’s it like preparing for a role?
Elizabeth: Shout out to the writers of “Grey’s Anatomy” - they gave me such a gift. The moment I read the words for the first time I was bawling my eyes out. Writing like that makes my job a lot easier.
Giulia: What is your dream role?
Elizabeth: I’d love to bring a role I played in the Star Wars universe - a woman by the name of The Second Sister - to the big screen. That would be a ‘pinch me’ moment for sure.
Giulia: Who inspires you in Hollywood and why?
Elizabeth: My friend Lena Waithe inspires me - she’s so dedicated to her community. It’s very powerful to have someone firing on all cylinders who genuinely puts “us” before “me.” I also love Regina King, another phenom. King does it ALL and she makes it look easy. There are so many women who blow me away every day! Women of color in particular are simply miraculous.
Giulia: What did your every day look like before the Coronavirus started?
Elizabeth: I’m an actor so no two days are ever the same. Generally I would meditate, have coffee, get ready and go to an audition or to meet a friend for lunch. Probably run a few errands, chat with family. Some days I’m on set making Star Wars or Party of Five or Grey’s Anatomy but those days are less common. Most of an actor’s life is preparing for those days.
Giulia: How does the current situation in the world affect you personally?
Elizabeth: My entire industry has slammed to a halt, but more importantly I have a lot of family and friends in New York City - that’s where I’m from. I have a cousin who works in a Covid-19 hospital in Brooklyn and has contracted the virus. Personally, I am one of the lucky ones - I have what I need and I am afforded the luxury of staying home. It’s definitely been a strange and surreal time. I’m just taking it one day at a time, as gently as I can.
Giulia: I hear you are an avid meditator. How do you think meditation can help us in the situation of this pandemic?
Elizabeth: I am! Mindfulness can help to ease our anxiety. It empowers us to unhook from fear which is widespread in our media and culture, especially now. When we soften our anxiety in this way, we are able to hold a loving space for ourselves and others which is sorely needed right now. Nurses, first responders, doctors - the people on the front lines need our calm, peaceful, loving presence. Adding more fight or flight response to the collective does not help. I could go on and on - mindfulness really changed my life.
Giulia: How do you wish to use your voice?
Elizabeth: I want to empower young brown-skinned girls everywhere to follow their hearts and know that they are worthy of all of the best life has to offer. I want to help people feel seen and understood through my work. I want to use my voice to help protect and restore our environment.
Giulia: What is next for Elizabeth?
Elizabeth: That all changed when Covid-19 stormed on to the scene. I have some projects on the docket at the moment but they are all on a long quarantine pause. The only thing that matters now is our health and telling the people we love that we love them. Now is the time for us to sweep the fear from our hearts.
Giulia: Well said!
The Talk With Erin Carlson - Author
Erin Carlson reminds me of character Carrie Bradshaw. Stylish, beautiful, clever, the only difference is Erin does not write about relationships, she writes about great women of our time. Her first book on writer-director Nora Ephron titled “I’ll have what she is having” released in 2017 and her second book titled “Queen Meryl: The Iconic Roles, Heroic Deeds, and Legendary Life of Meryl Streep” released in 2019 and highlights the legendary Meryl Streep. We sat down with Erin to talk about her career as a journalist, writer and Queen Meryl of course.
Giulia Juliet Belkin: What were you like as a child? Who are you today?
Erin: As a little girl I was curious, funny and stubborn. I loved to paint, draw and write stories — anything that flexed my creative muscles. Today, I'm the editor of a regional society magazine in the Bay Area called The Nob Hill Gazette, and the author of two nonfiction books about Meryl Streep ("Queen Meryl") and writer-director Nora Ephron ("I'll Have What She's Having.") In a way, I'm still doing what I loved as a child! How does that saying go? "The creative adult is the child who survived." I've always identified with that statement.
Giulia Juliet Belkin: What life experiences have led you to write a book.
Erin: Formerly, I was an arts and entertainment reporter at The Associated Press in New York City, then I covered the entertainment industry for the trade publication The Hollywood Reporter. So I had accumulated the journalistic experience necessary to report two biographies about two powerful women in Hollywood, which required me to spend hours (and hours) reaching out to celebrities, filmmakers and the like to talk to me about what it was like to work with the great Meryl Streep and Nora Ephron. The reporting and interviewing process was tricky to navigate, and I'm most proud of writing these books without getting any complaints of inaccuracies! It sounds glamorous, but it is very stressful. (I can't believe I still have my hair.)
Giulia Juliet Belkin: I know she is fabulous, but why Meryl?!
Erin: Because she is, hands down, the greatest actor of our time. "That's all," as Miranda Priestly would say.
Erin for October 2010 issue of Cosmopolitan for a feature on women in the media.
Giulia Juliet Belkin: Is this your first book?
Erin: My second! And fingers crossed, there will be a third if I can finish my novel.
Giulia Juliet Belkin: How long does it take you to write a book?
Erin: Per my contracts with my publisher, I had a year to write and report both I'll Have What She's Having and Queen Meryl. For each book, I spent about nine months reporting and three months writing (literally, locking myself in my office for days on end, in 14-hour stretches. Eek!).
Giulia Juliet Belkin: What would you say is your interesting writing quirk?
Erin: I would say nursing the same cup of coffee throughout the day, and reheating it in the microwave no less than 20 times a day to keep it warm.
Giulia Juliet Belkin: What is the key theme and/or message in the book?
Erin: With Queen Meryl, the message I would like readers to absorb is that you should never let anyone define who you are! You get to define you, and write the story of your own life. Meryl never listened when her critics complained she was too technical an actress, or not sexy enough to play a certain role. She went after those roles anyway, and played them as no other actor could. Her greatest strength is her self-confidence, which was instilled in her as a young girl by her mother, Mary, an artist and larger than life character herself.
Giulia Juliet Belkin: What was the process for coming up with the cover?
Erin: My publisher, Hachette Books, wanted to go in a more joyous, optimistic direction for the cover of Queen Meryl. They chose a gorgeous picture of her, which she liked, in addition to a vibrant color palette (pink, black, gold and white) that captures a certain joie de vivre for which Meryl is not given enough credit. She's seen as very serious, which she is, but she's also very playful, too. Her close friends know her as funny, spontaneous and lively.
Giulia Juliet Belkin: What has been your biggest curveball? Your biggest surprise?
Erin: Going back to my previous answer, I didn't realize Meryl was so much fun. That is, until I started reporting the book and discovered she had an impish sense of humor on the set of her films (she once mooned the director of The River Wild) and she's been known to bum a cigarette off a co-star. She has cooked and baked for her co-stars too. She is the mother of four children, and so her maternal energy is strong. She loves to laugh and joke around.
Giulia Juliet Belkin: Who are your biggest influencers?
Erin: Nora Ephron, Tom Hanks, Greta Gerwig, Jia Tolentino, Louisa May Alcott.
Giulia Juliet Belkin: What do you like to do when you are not writing?
Erin: I read a lot (mostly nonfiction!) and listen to news podcasts and love to catch the latest film at the Embarcadero Center in San Francisco.
Giulia Juliet Belkin: If you had to describe yourself in three words what would they be?
Erin: Ambitious, clever, empathetic.
Giulia Juliet Belkin: Are you working on anything at the present you would like to share?
Erin: I'm writing a novel — wish me luck!
The Talk With Ines de la Fressange - Karl Lagerfeld's Muse, Designer, Author, Supermodel.
I don’t have facial surgery and I laugh.
INTERVIEW BY Giulia Juliet Belkin
How do you top being a muse to the nation’s top designers? By becoming the face of France, as Ines de la Fressange did when she was chosen as Marianne, the symbol of the country, in 1989.
All that is cool and elegant and stylish about French women is Ines de la Fressange. In the '80s Inès de la Fressange reigned as the Supermodel. She was a muse to Karl Lagerfeld at Chanel throughout the decade.
As a celebrated author and designer, a perfumer, a model, and a mother, there was no one I wanted to meet and talk with more than the legendary Ines. I finally had the pleasure of sitting down with de la Fressange for a chat over coffee about being a muse and honing her personal style during my visit to Paris for Paris Fashion Week. And I got to see first Ines de la Fressange Spring/Summer 2020 collection which took place at Maison Dentsu.
Today Fressange is on her tenth collaboration with the Japanese brand Uniqlo and continues her ambassadorship for Roger Vivier since 2003.
Photo: Benoit Peverelli
Giulia: You've been Karl Lagerfeld's muse and Chanel ambassador for many years, what is the secret to your elegance?
Ines: Ahh thank you! Mmmmhhh you want me to be pretentious so this wouldn’t be so elegant ! (laughs) Let’s say I don’t try to show off (wearing ostentatious outfits for instance…)
Giulia: What do you think is, essentially, the allure of the Parisian woman?
Ines: A mix between casual & sophisticated with great freedom.
Giulia: I am sure you are aware there are many American women who want to dress like the French, but which American would you make an honorary French woman?
Photo: Benoit Peverelli
Ines: Oh I love this question! (laughs) Let’s start by saying I love American style and that american women don’t need to look, French. But let’s play the game, I would say Cate Blanchett ( I know she is also Australian) she is quite minimalist but never boring.
Giulia: What is your ultimate Parisian beauty secret?
Ines: I don’t have facial surgery and I laugh.
Giulia: You have just released your latest collaboration with Uniqlo called Megève. What can you tell our fashionistas about this collection?
Ines: That even if it’s freezing cold you can be elegant without catching a cold.(Megève is in the mountains)
Photo: Dominique Maitre
Giulia: How do you feel about influencers and bloggers today?
Ines: They are fun but I rather give interest to creative people.
Giulia: Whom do you follow on social media?
Ines: Leandra Medine: she is witty and bright. @Capucineschall: a genius !
Giulia: What do you think of fashion in general today?
Ines: Schizophrenic: you can chose to look like a bourgeoise, a rapper or a cowgirl !
Giulia: Can you highlight some of the new designers today who catches your eye?
Ines: Diane Ducasse ( very nice suits, you will discover her soon). Jacquemus ,it’s fresh and jolly.
Giulia: Do you like vintage clothing? Why?
Ines: I rather like them for inspiration because there are always interesting details but finally I don’t like to wear them.
Giulia: You don't age. Do you come to surgery when it comes to aging?
Ines: Thank you! listen today I want to tell you that I have never seen results on somebody that I liked but later maybe I will be depressed like an old sunset boulevard star and I will be full of Botox! (laughs)
Giulia: How do you feel about aging? Do you think it can be a beautiful art?
Ines: Honestly? It’s not such a pleasure for your face but great for the mind. One learns how to let go easier. Lately because of the loss of Peter Lindbergh we saw many of his pictures, his sense of the beauty of women is so benevolent and sensitive, I wish it could change the general idea women should only be twenty years old with a lot of Photoshop!
Giulia: What is next for Ines?
Ines: -Launching of a book « Parisian Chic » ( the new version of the one done 10 years ago)
-New collection for Ines de la Fressange Paris (my own brand) (www.inesdelafressange.fr)
-New year for my newsletter (www.lalettredines.fr)
-Opening of new shops for Roger Vivier
-Holidays in Argentina hopefully !
That’s all folks!
“The wealthiest people aren’t the most stylish.
Usually, when women can afford to shop in luxury stores, they’ll buy everything there. It’s better to try the high-street shops to buy a denim shirt or wear a T-shirt instead of a blouse under a jacket. I often look in the men’s and children’s departments too – in fashion, nobody should have prejudices.”
The Talk With Charlotte Glasser - Influential Leader Within the LGBTQ+ Community and Notable Producer
.
PHOTOGRAPHY Lena Di
INTERVIEW by Juliet Belkin
Charlotte “CB” Glasser - Executive Host in Casino Marketing for Encore Boston Harbor as well as an influential leader within the LGBTQ+ community and notable producer, with a passion for pushing ideas into bigger and better realities.
We sat down with Charlotte in New York to talk about how she overcame all the obstacles in life, achieved success and a perfect balance between work and personal life.
Photography Lena Di
What were you like as a child? Who are you today?
I wouldn’t go so far as to say I was a terror as a child, but I sort of was. I think I was really attempting to figure myself out early on. I have always been highly observant and interested in attention, both good and bad. These younger behaviors have translated into my adult life but in a more positive way. I very much focus on my career goals and the vision I have for myself in the projects and relationships I take on. Though I am still thirsty for attention, now I believe that I aim to use my voice to bring visibility to the projects and passions that mean so much to me. I am very open about being medicated for my diagnosed Anxiety Disorder and ADHD. Maybe if I was more aware of these predispositions as a child I could have channeled that energy differently. I don’t have any regrets in learning about my disorders later in life, I think the struggles taught me a lot and I am better off because of them. But, some things will never change and I can’t help but speak up when I feel compelled to do so, but now I think I am able to be more respectful and thoughtful in my delivery.
What was the biggest curveball, biggest surprise in life?
In retrospect, coming out as gay wasn’t as big a surprise as I originally thought. When I realized that I had a preference towards relationships with women over men, it was completely LEFT of the lifestyle I had been living, as a self-described high femme, straight girl. It wasn’t until after I explored my sexuality and gender expression that I realized I had been toying with these feelings and preferences since the very beginning. Altering my presentation, from primarily feminine to now more masculine of center, was an adjustment. My entire friend circle expanded and my interests in new experiences both personally and professionally reached new levels. I feel very fortunate to be a member of the LGBTQ+ community and naturally engrained in communities outside of these identities as well.
Photography Lena Di
Recently on your Instagram , under one of your photos you quoted " I’m so in love with life right now. " Why now? Tell us all about it!
For years I struggled with my anxiety and issues with focus, not knowing that there may have been a reason for the obstacles I sometimes felt I was self-inflicting struggle. Years of failed attempts to rectify certain negative feelings and episodes was hard. For the past two years, I have been taking effective medications for my anxiety and ADHD and I have never felt more balanced. In treating my mental illness with therapy and medication, along with lots of life lessons lived, I now feel capable to handle the highs and lows that are inevitable. In addition to my personal efforts, I recently joined the opening team for Encore Boston Harbor. The colleagues and friends that I work with in my day-to-day continue to support me and bolster my creativity. Every day that I go to work I feel motivated and excited to do my best. I am especially proud and grateful for the opportunity Encore Boston Harbor has given me in producing our very first hightea event on September 28. This event crosses all boundaries uniting demographics of all expressions and presentations. Of all the events I have produced to date I think hightea has been my proudest accomplishment, and it hasn’t even happened yet! Working with the different departments and teams at Encore Boston Harbor is a dream environment that I hope other companies strive for.
Photography Lena Di
What are some of the challenges you face today?
Returning to Boston after years in New York City and Los Angeles has been more challenging than I originally anticipated. The LGBTQ+ community that I was engrossed in prior to my move to NYC has changed, and with that change coming home feels very different. I hope that in my programming and production of hightea, bringing networks together, and pushing myself into a visible position, will make a positive impact to the entire Boston area. At first, I wanted to run back to LA, but a friend pointed out that if I felt uncomfortable presenting as I do in certain neighborhoods maybe others were uncomfortable too. Now I see that I have a responsibility to share and grow perspective in the area.
Photography Lena Di
How do you define love?
Can anyone really define love? I mean, if I had to, I guess I would say it is a non-judgmental, unconditional feeling that gives me a sense of safety, appreciation, and understanding. I feel love from a lot of people even if we don’t call it that. Anytime I can share with another person and there is mutual respect and patience shared – that is love.
What's a day in life of Charlotte looks like?
My girlfriend, Genie, wakes up before me (bless her) and takes our two dogs, Sedgwick (9) and Lucy (2) outside. Somewhere between her waking up and my actual alarm going off we have coffee together and sit with our pups and talk about our day to come. I shower, suit up and head to my desk at Encore Boston Harbor. As an Executive Host I spend time communicating with guests on the phone, via text or email. Then I hit the floor and mingle with anyone and everyone that needs assistance or who wants to chat it up with me. Have I mentioned I love my job? My colleagues in the Casino Marketing office are all high energy and positive people, making it very easy to come in each day, talk about goals, our lives and the guests we service. My work with programming and hightea takes a large chunk of my day recently, which I utilize to make sure all the logistics are going smoothly; I am inviting and overseeing all the little details. This event is special to me, especially because it is my first with Encore Boston Harbor, my first since my return to Boston and an incredibly diverse and inclusive initiative. I am feeling extremely excited and proud.
What is your style?
My style varies but with so many hours spent in the office I am really loving my professional attire. I recently partnered with The Tailory of NYC as a Brand Ambassador. They have been so amazing to work with and have outfitted me in a bespoke blue paisley tuxedo with black satin accents, it’s incredible. It’s important to me in anything I wear to feel like I am presenting my most confident, authentic self and in order for me to do that I need attire that fits. I am 5’4” (technically) but consider myself 6’2” – height is a state of mind! I am grateful to brands like The Tailory making suiting accessible to stylish humans like myself who want to dress their best and feel their best simultaneously. Just wait until you see the additional suits they are making for me!
Photography Lena Di
You are quite a fashion icon and supporter of LGBT designers among LGBT community. Who are the ones who stand out today?
This is a completely unfair question because the list is incredibly long of designers I love! Obviously, I have already mentioned The Tailory, who is at the top of my list. I also appreciate Sharpe Suiting, Bindle & Keep, Kirrin Finch, Stuzo Clothing, Nicolette Mason’s Premme brand was gorgeous and sophisticated. Nylon, under past EIC Gabrielle Korn, really stretched the fashion standards and I am so happy reading her coverage of this year’s NYFW with InStyle Magazine, all fashion enthusiasts should follow her lead.
What is next for Charlotte Glasser?
My hope is to have an incredible time with all those that attend hightea at Encore Boston Harbor’s South lawn on September 28, we will be dancing from 3pm to sunset. Following that event I think I will take a deep breath and keep the concepts coming. I want to continue to program and produce events here in Boston that resonate with overlapping communities, create new experiences and embrace sharing perspectives. I love working with the guests of Encore Boston Harbor and am so grateful that every day I wake up next to a beautiful girl, (hi, Genie) two gorgeous dogs, and then suit up feeling like Superman and go to what feels like a palace, surrounded by people I respect and enjoy.
The Talk With Rushka Bergman - Creative Director and Stylist For Michael Jackson's "This Is It" Tour
“I am not trendy, I am FOREVER!”
PHOTOGRAPHY Lena Di
ART DIRECTION and INTERVIEW BY Giulia Juliet Belkin
STYLING Rushka Bergman
MUA Facefactoryny
Suit and shoes Céline, Sunglasses Tom Ford. Photo Lena Di
Michael Jackson’s This Is It tour was planned to take place in London, between 2009 and 2010. Some of the greatest figures from the world of fashion collaborated with The King of Pop on this tour - known today as "the greatest concerts that never happened".
One of those greatest few to work with Michael was Serbian born, New York based Rushka Bergman, creative director and stylist for the tour. As a Contributing Fashion Editor to Italian L’Uomo Vogue and Vogue Italia during Franca Sozzani time, Rushka visualized style covers for the likes of Steven Spielberg, Robert De Niro, Mickey Rourke, John Malkovich, Tim Burton, Hugh Jackman and many more.
Bergman received her degree in Economics from the University of Belgrade and moved to Ghana, shortly after, where she continued her studies in Fine Art.
Rushka walks into our NYC studio looking brilliantly Rushka-like. She is wearing above the knee white dress, heels and pair of dark shades. She's got her signature sleek long hair down, she is a class act with the subtle swagger of a rock star. "My apologies for being late." Rushka is passionate for any form of creative expression and it was clearly visible from the moment she arrived on set which she owned. A genuine artist, a visionary, timeless, fearless tastemaker, this Diva knows what she wants and how she want it.
It was fascinating to listen to Bergman talking about the sweep of her life and super hyphenate career. From her work with Franca Sozzani, how she met Michael Jackson, her work with Kardashians and opinion on influencers today. These are edited excerpts from our conversation.
Suit and shoes Céline, Sunglasses Tom Ford. Photo Lena Di
Giulia: When did your interest in fashion begin?
Rushka: When I was six years old I began to design skirts and styled myself for special events. I remember the clothes that I loved from that time – my school uniform was a pleated, black and white, plaid collar dress with black patent leather shoes.
Giulia: How did you go about getting into styling?
Rushka: When I was younger my gift for art and fashion emerged. I was living in West Africa in Ghana, I worked on an international fashion show with Edward Enninful, Ozwald Boateng, Pat McGrath and Joe Casey Hayford. This was when I started to express myself through fashion.
Suit and shoes Céline, Sunglasses Tom Ford. Photo Lena Di
Giulia: What challenges did you face getting started?
Rushka: When I started styling, there were not that many people like me working in fashion. It was very different at that time. I believed in my vision and myself, and I never competed with other people. I was confident that my gift would shine through. Early on, I participated in the Giorgio Armani exhibition at the Solomon R. Guggenheim Museum in New York, and was lucky to have Giorgio Armani choose my styling images for the cover of the Exhibition book.
Blazer, jeans and shoes Céline, Sunglasses Luxureyes_ . Photo Lena Di
Giulia: How did you start building that celebrity clientele?
Rushka: When I was working for L’Uomo Vogue and Vogue Italia, Franca Sozzani, the Editor in Chief at the time, asked me to work with celebrities for the magazines. I wrote all of the letters to the most famous people in the world that inspired me. At first, I did not know who would agree, but they responded and we got to work with Steven Spielberg, Tim Burton, Michael Jackson, and many others.
Giulia: What was it like styling Michael Jackson and This Is It tour?
Rushka: Michael Jackson was a genius, an innovator a creator, so he always wanted something new and forward. He challenged me to create unseen designs that no one had done before. He was always ahead of his time. My goal was to reassert his status as a fashion icon back. Michael was loyal, a true friend of mine, and he believed in my style. He had so much light, positive energy and a creative aura. His charisma pushed me to bring him new creative ideas. It was easy for me to work with The King of POP . Michael especially loved Balmain jackets with their sculpted pagoda shoulders. He liked the red leather "Thriller" motorcycle jacket with crystal-studded shoulders, seen during the rehearsals for "Thriller" in "This is it," as well as the black satin tuxedo style with a Swarovski-studded, white satin lapel. I miss and I love my friend Michael Jackson!
Top, denim jeans and shoes Céline, sunglasses Tom Ford. Photo Lena Di
Giulia: In my opinion, you are a fashion editor and stylist with a strong, sharp and sophisticated vision. How would you say that you differentiate your work from other celebrity stylists?
Rushka: I am an artist with a strong and unique sense of style – sharp, modern, yet timeless. I AM NOT TRENDY, I AM FOREVER! I am an academic, who studied fine arts and economics for many years. It is truly about education, who you are, your vision, putting the clothes together, and developing your own creative identity. The role of a fashion stylist in the industry is to be a cultural gatekeeper, storyteller, talent spotter and curator of ideas. "ONLY GREAT MINDS CAN AFFORD A SIMPLE STYLE."
Giulia: You worked with some of the biggest names and styled seventy-nine Vogue covers? How do you choose who you want to work with?
Rushka: L’uomo Vogue is all about the news, like which celebrities are shaping culture and the future. We always approached the best in their industries. We were featuring actors who had released the latest movies, musicians who had released the latest albums and singles, and artists who were of the moment doing the most interesting work.
Top, jeans and shoes Céline, sunglasses Tom Ford. Photo Lena Di
Giulia: What do you think has been your greatest achievement so far?
Rushka: Michael Jackson "This Is It" unseen haute couture clothes that we designed together with the likes of Hedi Slimane, John Galliano, Christophe Decarin for Balmain, Riccardo Tisci for Givenchy, and Kris Van Assche. I hope that one day the world will see the beauty and power of these last works of art Michael touched.
Giulia: How have you been able to build those relationships with designers?
Rushka: It is all about creativity and chemistry between people. When you are an artist on a certain level, it's easy to collaborate and build these relationships.
Giulia: What do you think is the best part of your job?
Rushka: Being a freelance artist, freedom is everything. The best part of this job is to dream big and to see the culmination of your creativity. I also direct short films now and I love it. Every second of our lives is a new and unique moment of the universe, a moment that will never be repeated. FASHION is found in the sky, street, gallery, library, museum and cinema. It is our way of living, of thinking and of feeling.
On Giulia vintage blazer, jeans Maison Margiela, shoes Bottega Veneta. On Rushka suit and shoes by Céline, sunglasses Tom Ford. Photo Lena Di
Giulia: What advice would you give someone starting out looking to be a celebrity stylist?
Rushka: Work hard, have a point of view, and if it happens, it happens. To be a celebrity stylist you have to be flexible, educated and cultured, so that you can communicate with your client and command their respect.
The Talk With Nichole Galicia - Actress
Actress and Philanthropist Nichole Galicia, who will soon be seen in Quentin Tarantino’s highly anticipated film "One Upon a Time ... In Hollywood”
Actress and Philanthropist Nichole Galicia, who will soon be seen in Quentin Tarantino’s highly anticipated film "Once Upon a Time ... In Hollywood” starring Brad Pitt, Leonardo DiCaprio, and Margot Robbie is our latest guest. This is not the first time Nichole has worked with Tarantino, most notably, he hand picked Galicia for his film Django Unchained, which starred Leonardo DiCaprio and Jamie Foxx. Galicia garnered much buzz for her portrayal of “Sheba,” DiCaprio’s love interest and since, she has been extremely well received in the fashion industry
Born in Panama and raised in New York, Galicia focused on her brains, not beauty. Nevertheless by high school, with a 183 IQ, Nichole had rapidly evolved into a striking and vivacious young woman inexorably caught up in the highly competitive fashion industry. To date, Galicia’s modeling credits include ad campaigns for: The Gap, Pepsi, Neutrogena and Hanes. She has graced the pages of GQ, Vogue and Elle and oh, and who can forget the edgy shoot she did with Tarantino for W magazine.
Photographed by Ryan West
Galicia starred as the sassy Yvonne Freedman in Nick Cannon’s film Love Don’t Cost A Thing and in DIRTY playing opposite Cuba Gooding, Jr. She was also the female lead in And She Was My Eve a short featured in Ron Howard's Project Imaginat10n Film festival and played a seductress to Oliver Platt’s character Russell on Showtime’s Emmy Award winning drama, !Huff, also starring Hank Azaria and Blythe Danner.
Even more fascinating however is Nichole’s taste for art. Her favorite artist is Diego Velazquez and favorite museum is the Prado in Madrid. In fact, she owns dozens of engravings and serigraphs, a few of which appear in a book she wrote called "Equipo Cronica: The Nichole Kent Collection."
When Galicia is not modeling or acting she devotes her time to charities focused on developing the esteem and confidence of youth. Nichole actively serves on the board of the Junior Committee of the New York Center for Children; a charity dedicated to raising awareness and fighting child abuse.
Giulia Juliet Belkin: How did you start your Hollywood career?
Nichole Galicia: I started as a model, traveling the world when my booker suggested I take acting classes. I booked the very first acting audition I went on. I wish it was always that easy. This career is rewarding but nothing about it is easy.
Giulia Juliet Belkin: You recently filmed your second Tarantino film "Once Upon a Time...in Hollywood." What is it like working with Quentin Tarantino?
Nichole Galicia: Working with Tarantino is phenomenal. He’s very cool and down to earth, passionate about his work and in love with his actors. I could not have imagined a better experience.
Photographed by Ryan West
Giulia Juliet Belkin: You had a dream role of every female out there, playing Leonardo DiCaprio's love interest in Django Unchained. How charming is he? Share some fun moments from set.
Nichole Galicia: I’m so lucky, you should totally be jealous. I kissed Leonardo Dicaprio, twice. OK it was Calvin Candie but same difference! The man spilled wine and had to change his shirt on set and silenced a room of 150 people. It was amazing.
Giulia Juliet Belkin: What got you into arts?
Nichole Galicia: My mentor Kent introduced me to art. Introduce is such an elegant word, he forced me into art. I spent my summers in museums on guided tours, I spent my evenings watching art documentaries, I spent our vacations analyzing architecture and culture. If I dared try to change the subject, Kent was the master of redirecting by finding art in everything. I once stopped to pet a dog and Kent lectured me for 30 minutes on Goya’s ‘The Dog’ and how it’s arguably the first modern painting. Kent raised me, he gave me culture, he molded my world view, he taught me how to be a lady and a business woman.
Giulia Juliet Belkin: What's unique about Equipo Cronica?
Nichole Galicia: Equipo Cronica is art about art. It’s political, steeped in culture. It’s an amazing way to learn or teach art. I still get excited when I’m at the MOMA or Prado and discover a Picasso reference that’s embedded in one of my Equipo Cronica’s that I never recognized before.
Giulia Juliet Belkin: You've done some fashion modeling in the past. Who is your fav designer today?
Nichole Galicia: I love Olivier Rousteing from Balmain, Tom Ford, Versace, Dolce and Gabbana, Christian Louboutin, Giusppe Zanotti. I love hyper feminine, uber sexy but elegant. Michael Costello also makes my mouth water.
Giulia Juliet Belkin: Tell us more about The Orchid Foundation you founded 4 years ago? How did that come about?
Nichole Galicia: I’m fortunate to have so much and wanted to be able to give back. I didn’t grow up with a silver spoon in mouth and so I needed to go back and help some some girls that may have been dealing with similar circumstances. Equally as important as my girls is that I’m in some small way assisting their mothers. I didn’t know I was poor because my mom, like most amazing mother’s worked extra jobs to provide me with what I needed and most of what I wanted. She never complained or broke a sweat in front of me so I had no clue until I was an adult all that my mom was making the impossible look effortless on a daily basis. It is my hope that the services I provide to my Orchids is one less thing that their phenomenal mom’s have to worry about. Please check out our website: www.theorchidfdn.org We are a 501c3 nonprofit so all of your generous donations are 100% tax deductible.
Giulia Juliet Belkin: Great quote by the way, “It is better to have a $10 purse with $1000 in it, than a $1000 purse with $10 in it.” What is the goal for young Orchids?
Nichole Galicia: I was 17 years old, I did a huge modeling job and I went out and purchased $3000 worth of designer luggage. My mother asked me how much money I had in my purse? “You have $8 in a $2000 bag? You look like an idiot.” Yeah I never made that mistake again. And of course she made me return everything. My goal for my Orchids is that they are bigger and badder than me. That they go father than I ever could.
Giulia Juliet Belkin: What motivates, inspires you today?
Nichole Galicia: Kind people motivate me. People who help you just because they can without expectations.
Giulia Juliet Belkin: What would you do differently if you had the chance to turn back the time?
Nichole Galicia: A WHOLE LOT OF THINGS! I don’t know who these ‘I have no regrets because it made me the person I am today’ people are. I would change the hell out of a ton of things. Do I get to keep the knowledge but go back and make corrections? Absolutely.
Photographed by Ryan West
Giulia Juliet Belkin: What is next for Nichole?
Nichole Galicia: This is where I should say something fun or witty but I don’t know what’s next and I’m cool with that. Steve McQueen will find me when he’s ready or maybe I will find him. Until then I will go back to raising the coolest, smartest girl squad ever through The Orchid Foundation.
The Talk With Wolfgang Novogratz - Actor
“…my goal is to become the leading man I want to be and hopefully be able to work with some of the most creative, talented people in the world. However, being Superman would be out of this world as well!”
Photography/ Nathan Johnson
Interview by Juliet Belkin
Wolfgang Novogratz has risen to fame for his appearance as Drew in the 2018 Netflix original film Sierra Burgess Is a Loser. He previously appeared as Dave in the 2018 action comedy Assassination Nation. Made his acting debut in the TV series 9 by Design in 2010. He guest-starred in a 2018 episode of the TV comedy Grown-ish and was cast as the romantic lead Patch Cipriano in the romance film Hush, Hush in August 2018 and oh boy! Doesn’t he remind you of Elvis?! I’ve caught up with Wolfgang in Los Angeles.
You are the oldest in a family of seven siblings. What was it like growing up?
In all honesty, I feel like the luckiest man in the world. There was never a dull moment growing up, good or bad, and my siblings are all wildly different from each other. I have a distinctly unique relationship with each one of my brothers and sisters. As the oldest, I always strived to be a role model and leader for them, but more importantly, someone who they felt they could talk to about anything, without judgement, and I’d always be there for them.
How did you start as an actor?
Well, it’s an interesting story. For as long as I can remember, basketball has always been my entire life. I was preparing to play big time Division 1 college basketball. I trained like a professional athlete and dedicated my whole life to the sport. My senior year of high school, I was extremely fortunate to have many opportunities to make my dream a reality. However, also in my final year, I took drama class for the first time. I had always been fascinated, inspired, and obsessed with movies, but had never acted before. I remember visiting all these colleges that I had worked my whole life towards and thinking to myself, “I did it”. I felt a feeling of completion that I had proved to myself that I could play at the highest level. I now found a new passion, and I wanted to start a new chapter in my life. So, I turned down all these opportunities, and said to my drama teacher, “I’m going to be an actor, what should I do?” He said, “If you want to be a good actor, you should spend some time doing classical theatre in London”. So, the week after I graduated high school, I moved to London to start a new chapter in my life
You are Netflix’s newest leading man. How did you get there?
Haha, I don’t know about all that, but I’ve just tried to make the most of the opportunities that have come my way. I’ve been acting professionally now for around 2 years, and what really helped my career get started was after I did my first movie “Sierra Burgess Is A Loser”, I produced and acted in a production of Kenneth Lonergan’s “This Is Our Youth” in Los Angeles. Doing this play led to me getting my agent, and many more opportunities. I’m in it for the long game though. I continue to study consistently. My focus is on how I can become the most honest, and skillful actor I can be, and if I’m lucky enough, hopefully one day have a body of work that I can look back on and be proud of.
Share with us about your Netflix roles?
My first film, “Sierra Burgess Is A Loser”, I played the part of Drew.
I first read for the part of Spence. Then, they brought me back in for the lead role of Jamie. I ended up making it to the final five actors reading for the producers and director. I was doing a play in Orange County called “Vanya and Sonia and Masha and Spike” by Christopher Durang when I got the call that I hadn’t gotten the lead part because I had never done a movie before, but that they liked me so much, that they wanted to have me in the film in a smaller part.
A cool little piece of trivia, is that for the football scene, where Drew is the opposing line-backer who tackles Jamie, I asked production to wear number 61, which was my Grandfather’s number when he was an All-American at West Point, the United States Military Academy.
The Last Summer, I played the part of Foster.
When I originally read for the role, Foster was written as a more “stereotypical, two-dimensional, shallow, douchebag”. However, I made the choice that his major motivation behind making this list of girls, and his desperation to get laid, was that he was a virgin. So, when I got the part, I shared all my ideas with the director Bill Bindley, and we started working together on rewriting Foster. I came up with the backstory that he used to be quite overweight, never got attention from girls, and was very insecure about that. Then, for his final summer before college, he has reinvented himself. He’s lost weight, he’s studying good “pick-up lines”, and he’s doing whatever it takes to score. The scene between Jacob’s character Alec and I where we learn he’s a virgin was only written a couple of days before we filmed it. I was based a lot of the character on some guys I’ve known in my life.
The Half of It, I play the part of Trig Carson.
Trig Carson is the big man on campus. He’s the most popular guy in school, the Prom King, Student-Body President, and loved by everybody. However, he is quite narcissistic, shallow, and vain. He’s not a bad guy, but he just doesn’t live his life with a lot of depth, introspection, or complexity. The Director, Alice Wu, and I spoke about making sure he is not like Bradley’s Cooper character in Wedding Crashers. He’s not the prototypical mean boyfriend that the audience says, “Why is the main girl with him and not the nice main character?” On paper, he’s perfect. He’s wealthy, good-looking, nice, and happy. The only issue is, is that he’s just not the guy for Aster Flores. He is in love with the idea of her, but he doesn’t really see or understand the fullness of her.
You always land the role of a teenager. How do you manage it?
Well, I only graduated from high school three years ago, so it’s not that much of a stretch to be that age again. However, as a young actor really just starting out, those are where the most opportunities are. There aren’t a ton of movies and television shows being made about kids in college or young adults just starting their lives.
What is your dream role?
First off, the dream is to be a working actor, because there are so many talented and deserving actors who are not. If I am lucky enough to become that and then have choices in my career, the dream is to work with the best filmmakers you can on the best scripts you can, in any genre. I said this earlier, but my goal is to become the leading man I want to be and hopefully be able to work with some of the most creative, talented people in the world. However, being Superman would be out of this world as well!
Any Hollywood actors you look up to?
That’s a long list, but for the sake of time, I’ll try to narrow it down to about 5 actors. I would say Spencer Tracy, Denzel Washington, Robert Redford, Paul Newman, and Tom Cruise.
What is one fun fact about Wolfgang that not a lot of fans know?
Shortly after I was cast in “Hush, Hush”, I was extremely fortunate to get connected with Hugh Jackman. Over the last several months, he has become a mentor, teacher, and friend of mine.
What is next for Wolfgang Novogratz?
I am finishing work on “The Half of It”, and then I’m set for the film-adaptation of the New York Times Best-Selling Book Series, “Hush, Hush,” in the lead part of ‘Patch Cipriano’ opposite Liana Liberato as ‘Nora Grey’.
The Talk With Mickey Rourke - Actor
If I was in Moscow or London it would be much harder for me to maintain my discipline.
PHOTOGRAPHY/ Karina Dobra EDITING/ Mark Saprykin
INTERVIEW BY AND ART DIRECTION /Juliet Belkin
HAIR / Dimas Korneychuk
MUA / Kseniya Durst
STYLE by Loki Ltd
It’s two o’clock in the afternoon in a sunny downtown LA studio. The wait has held me in eager anticipation of the arrival of the legendary actor Mickey Rourke. I remember him as Wall Street tycoon John Gray whose 9 1/2 week affair with Elizabeth ( Kim Basinger) drove every women crazy and taught us about the concept of sex in the original Fifty Shades of Grey. Despite Rourke’s gaining recognition, he is also known as a bad boy of Hollywood with mercurial temperament, giving film directors migraines and treating the press with disdain.
He did things “his way” on the set, and there were no two ways about it.
Rourke arrived with his assistant and in his arms he held the infamous tiny pet Pomeranian. He entered studio as if entering the boxing ring for a heavy-weight bout, walked straight towards the make up and asked his assistant for coffee. Here I was face-to-face with the man who was linked to such greats as James Dean and Marlon Brando. I welcomed him in and asked for the name of his adorable pooch, who was now comfortably sleeping on the studio couch.
“Number One” , Rourke replied.
What an unusual name I thought to myself. Reminded me of Dr.Seuss Thing One, Thing Two.
Not many may know that as well as being an accomplished actor, Mickey Rourke is a huge dog lover. In his 2009 Golden Globe acceptance speech for his performance in The Wrestler Rourke took a moment to honor the little dog who saved him, as well as the other furry members of his family. "I'd like to thank all my dogs, the ones who are here and the ones who aren't here any more, because sometimes when a man's alone, all you got is your dog, and they mean the world to me."
On friends
“The few friends that I have are mainly from the boxing gym. My best friend today is my assistant Dima, he is from Ukraine and I am very lucky to spend six days a week with him. He is interesting, intelligent and unpredictable but most of all loyal. I am sure I have more acquaintances than I have friends. I don’t socialize a lot in LA, most of my friends live in Europe-France, Germany, Moscow.”
Mickey Rourke and #1
On dogs
”They are the greatest companions a man could ever have. I have four more at home. Ruby Baby, Egor, Ivan and Gay Joe”
As he works the camera he is giving advice on how to pose to young artist, director, film producer, actor and screenwriter Brian A. Metcalf who joins us on set. Rourke and Brian are good friends and producing an independent crime drama “Twilight Into Darkness”. In this film Rourke will portray a detective who becomes obsessed with finding and stopping a child murderer while searching for his own redemption.
This is not the first time the duo works together. “Twilight Into Darkness” will be the second collaboration for Metcalf and Rourke. Metcalf recently directed Rourke in the drama film “Adverse,” co-starring Penelope Ann Miller, Sean Astin, Lou Diamond Phillips, and Thomas Ian Nicholas.
Brian Metcalf and Mickey Rourke
As our conversation evolves I get to know more and more about the actor.
On seeing himself on a big screen.
It turns out seeing yourself projected on a big screen TV or hearing his own voice is not something Rourke enjoys.
“I don’t do it. I just don’t like it.”
On what he enjoys the most right now
”Training 2-3 times a day is very calming and therapeutic for me. I am still going to have two more boxing matches. I don’t have dates yet, hopefully in August, in the South of France. I am keeping that as a goal. I have to keep up with cardio, with my boxing training and conditioning program, as well as my diet, eating clean. It was hard in the beginning, but now it’s very easy. Because you don’t want to do all this training and put all that wrong food in your body.”
On what he does during his off days
“I look at the boxing as a hobby that I love. For me it’s very relaxing and gives me a discipline that is challenging. I also include swimming in part of my conditioning program. So all together it fills up my day and it also gets me to go to bed early. I live in healthy resistance, maintaining strict discipline, it also helps being in Los Angeles because I don’t really like it here and thankfully there’s no night life ” (laughs).
On keeping fit
”When I don’t have fight date I train about 70% and when I have a date I train twelve to thirteen times a week and my whole conditioning program changes. Usually for the boxing matches I have to take off fifteen pounds. Muscle is a lot hard to take off than fat. If I was in Moscow or London it would be much harder for me to maintain my discipline. “
On most recent projects
”I have one day off which is Saturday and at the moment I am working with Brian Metcalf writing screenplay, it’s a very wealthy time working with very intelligent, upcoming, very ambitious talented director like Brian.”
On his favorite fashion designer
”My favorite clothes designer is guy who I work with, his name is Max Noce and we design my clothes together.”
On tattoo he proudly shows off on his torso
”Asia Ramazan Antar, do you know of her? Beautiful warrior! 19-year-old Kurdish Women’s Protection Fighter who was killed while trying to stop an attack by three Islamic State (Isis) suicide car bombers. I hope she is in better place. God bless her brave soul”
On what his most favorite spot in the world is and if he could be anywhere right now where would he be?
” If I had a choice I would be in Moscow right now (laughs), after that perhaps London. But most of my time I spend with my 5 dogs - Ruby Baby, Number One, Egor, Ivan and Gay Joe.”
Mickey Rourke and Juliet Belkin
The Talk With Brian A. Metcalf
PHOTOGRAPHY/ Karina Dobra EDITING/ Mark Saprykin
INTERVIEW BY AND ART DIRECTION /Juliet Belkin
HAIR / Dimas Korneychuk
MUA / Kseniya Durst
STYLED by Juliet Belkin
Brian Metcalf , is an Asian-American artist, director, film producer, actor and screenwriter. His work includes directing, producing and writing the micro-budgeted drama/thriller The Lost Tree and Living Among Us starring John Heard, William Sadler, James Russo, Esme Bianco, Andrew Keegan and Thomas Ian Nicholas.
Metcalf also helped produce a documentary called Little Gandhi which was submitted by Syria for consideration for an Academy Award in the Foreign Language Film category. It was the first entry ever by Syria and won the Murray Weissman Award for the poster Brian created for Little Gandhi.
His latest film “Adverse” is about a man who tries to save his younger sister after he discovers she is addicted to drugs and caught in a seedy underworld. Mickey Rourke stars as Kaden, the underworld boss who runs operations and who hires Ethan (Thomas Ian Nicholas), a rideshare driver who discovers his younger sister (Kelly Arjen) has become entangled in drugs and debt.
He is currently writing a screenplay for his new film he is producing with actor Mickey Rourke.
Juliet: Tell us more about your new film "Twilight Into Darkness" ?
Brian: Twilight Into Darkness is a film about a detective who is trying to stop a serial killing who is going around terrorizing the city while at the same time, trying to solve his own demons.
Juliet: You currently finished filming Adverse, in one word tell us what it's about?
Brian: One word, wow. Okay I would say that word is "protective".
Juliet: You've got an amazing cast including Penelope Ann Miller, Lou Diamond Phillips, Sean Astin, Thomas Ian Nicholas and Mickey Rourke who is now producing your new film. How did you two meet?
Brian: Mickey and I met on the film Adverse. We were doing a lot of scenes together and we really hit it off. There was a mutual respect for each other and similar vision.
Juliet: What is it like to work with Mickey Rourke?
Brian: It is a dream come true to work with him. As a child, I watched Mickey Rourke in many films and always admired his acting ability. I knew he was quite talented and I had always dreamed of working with him. Between takes, we discussed doing another project together and I jumped at the opportunity.
Juliet: What were you like as a child?
Brian: I was very shy. I didn’t have many friends. I would just stay home and draw a lot of times in the summer and watch countless amounts of films.
Juliet: Was there a pivotal moment when you decided to follow your passion for filmmaking?
Brian: I remember as a child I would watch movies all the time while drawing. I knew during my 12th birthday that if I was ever given the opportunity, I would make feature films but I did not think that opportunity would ever come.
Juliet: When do story ideas usually hit you?
Brian: Story ideas hit me at all hours of the day and night. There are times when I will wake up from a dream or nightmare and then I’m obsessed with writing it down so I won’t forget. Other times, I think of past experiences and that’s when I feel I have something to talk about. And other times, I might see something on the news and come up with an idea based off of that. Most of the time, I try to base all my ideas in some way on some past experiences.
Juliet: Whose directorial work are you most inspired by?
Brian: I have been inspired by many directors for different reasons, not just one. Francis Ford Coppola, Spike Lee, Paul Thomas Anderson, James Cameron, Steven Spielberg, Martin Scorsese, Alfred Hitchcock, Stanley Kubrick are all fantastic directors for their different visions. They all have different reasons as to why you can learn from them.
Juliet: Your dream collaboration?
Brian: This film with Mickey Rourke is one of my dream collaborations along with the great cast we intend to bring on board. There are so many great talents out there but this collaboration is one of my dreams come true.
Juliet: Where do you want to go from here?
Brian: I want to keep working on a variety of interesting and different projects. I would like to keep collaborating with great, diverse talent while having larger budgets to work with and I want to keep enjoying what I do.
Juliet: What advice would you give to a young person following in your footsteps as a film director?
Brian: My advice would be to keep honing your craft and keep learning. If you want to be a filmmaker, do your research on the films you admire. Learn how those filmmakers did what they did. One thing I do is attend a lot of Q&As so I can learn from the filmmakers. I take every opportunity I can to ask those directors questions so that I can learn from them. I watch many films and feel I will never stop learning. When you think you know it all then you stop learning and progressing. I want to keep improving my skills not just as a director but also as an actor, producer and writer. Learning everything you can in this business can be extremely helpful. Acting lessons can help you to communicate with other actors to get the performances you want. Writing helps you to understand structure in scripts. Producing can help you learn what you have to work with on projects. It all is important to learn.
The Talk With Adrian Grenier - Actor
.
PHOTOGRAPHY Amaris Granado
HAIR Daleen James
ART DIRECTION Juliet Belkin
STYLING Olya Dzilikhova
Juliet: You're known for Vincent Chase on a popular show Entourage. What is something people don't understand about your character Vincent Chase and you, Adrian Grenier?
Adrian: One thing about me is I have a strong passion for social and environmental justices and one thing you don’t know about Vince is he is a lot deeper than you think and has always supported everything I did.
Juliet: Along with Susan Sarandon, David Arquette, Christina Arquette, you recently produced something very powerful that is premiering on February 20th, a film about mass incarceration and surviving prison in America. Why mass incarceration?
Adrian: This is an important film to shake the audience out of their complacency. We think that we are safer with people incarnated, but it actually makes society less safe because inside the walls of prison is basically a training ground for crime. It is also extremely inhumane how we treat other human beings which is a reflection of the worst part of what society is capable of.
Juliet: What changes should we make in criminal justice system?
Adrian: We need to rethink the way we deal with people who commit crimes and introduce a more nuanced approach to rehabilitation. We have a system that has ‘one size fits all’; if you steal a piece of bubblegum and commit some of the most heinous crimes, you will both get thrown in jail. We need to approach crime from a much more sophisticated place dealing with not only mental health issues but also the roots of crime itself being poverty and desperate citizens.
Juliet: Do you think police choices to imprison someone are not smart today?
I’d like to see us put more funding into our police force but not for bigger guns and more military style gear but for better training so that police don’t have to resort to violence and force when they encounter people who may have committed a crime.
Juliet: What message do you wish to deliver to audience with this film?
Adrian: In a country that is supposed to be a free country we need to look at the fact that we incarcerate more people than anywhere else in the world. And when we incentivize private companies to profit off of each prisoner than we incentivize lobbyist and private companies to work for stricter laws and more arrests and that is fundamentally destructive to the fabric of society.
Juliet: Technology is a big part of our lives today. You recently did a lecture with Arianna Huffington, Marc Mathieu and Lauri Segall talking about the importance of setting boundaries with technology. Can you brief us what those boundaries are?
Adrian: I think technology is extremely useful when it works for us, but when we start working for it then we have a problem. We have an enormous computing power in the palm of our hands. So its important that we learn how to use such a powerful tool for the greater good not just as a distraction into clickbait style apps and media that enslave our minds and distract us from the things that bring us true happiness: family, community and human experience.
Juliet: What technological innovations do you support today?
Adrian: I am a big proponent of using technology to extend human potential and am really proud of the work I am doing with Dell and Lonely Whale around circular economies. Check out nextwaveplasticis.com to find out how we are working with major companies around the world to create a global sizes supply chain for plastic waste destined for the ocean.
Juliet: You are an eco-friendly guy? What are you thoughts on fashion/ textile waste being the biggest problem today?
Adrian: AMEN. We have to do something about the fashion industry and it starts with you and me. Avoid the seduction of cheap apparel. It’s cheap because it exploits people and natural resources and one day we will pay for it somehow- one way or another. Try to buy high-quality, ethically-made and sourced clothes that will you will cherish and last a lifetime.
Juliet: You've done some work behind the camera as well, directed a few documentaries with Reckless Productions? Anything exciting we should look forward to in the near future?
Adrian: TBD. I am catching my breath with all that I’ve been doing but I do have several projects simmering in my brain.
Juliet: How do we make the world a better place?
Adrian: I don’t mean to be corny – BREATHE deeply and let go of your fear because there is so much work to be done and we won’t accomplish our goals if we are in a state of panic.
THE TALK WITH AMBER STEVENS WEST - ACTRESS
This Fall she’ll be starring on a new comedy television series “Happy Together” on CBS with Damon Wayans.
PHOTOGRAPHY Amaris Granado
MUA Ruby Vo
HAIR Keeva Clark
ART DIRECTION Juliet Belkin
STYLING Olya Dzilikhova
On Amber top and pants by i.am.Gia
Amber Stevens West’s credits on the big screen include 22 Jump Street opposite Channing Tatum and Jonah Hill, as well as the recent Lionsgate Janoskians comedy Public Disturbance co-starring alongside Mike Tyson and the upcoming independent feature film Love Jacked.
However, she is best known for her work on the small screen. In the last few years she has had starring roles in two comedy series - ABC’s The Carmichael Show and Fox’s Ghosted.
Amber stars opposite Damon Wayans Jr. in the new CBS series, Happy Together, premiering October 1st. The comedy centers around a 30-something happily married couple who begin to reconnect with their younger, cooler selves when a young pop star drawn to their super ordinary suburban life unexpectedly moves in with them.
Amber happens to be the daughter of actor and radio announcer Shadoe Stevens and former model Beverly Cunningham. After graduating Beverly Hills high school, she was determined from the start to make the most out of the journey of becoming an actress. She met her husband Andrew J. West when they both starred on the ABC Family hit television series Greek. They are expecting their first child this Fall.
On Amber top and pants by i.am.Gia
Juliet: When did you know you wanted to be an actress? What was your first step?
Amber: As silly as it may sound, acting is something I fell into. When I was in middle school I was scouted for modeling. It was only something I did part-time, a fun way to skip class and to start putting money away for my future. About 3-4 years later, my modeling agency opened up a commercial division and they began sending me on commercial auditions. This is where I got my start in acting. My first speaking role was in an Old Navy commercial. You can look it up, it’s pretty funny. Then, through my commercial agent I was introduced to the man who is still my manager today, Robert! He had me come into his office (my mom and little sister were with me) and asked me to do a cold reading. He handed me a scene, told me to go into the other room for a few minutes to learn it and come back when I was ready. I came back, read with another man in the office and then Robert told me that he'd love to manage me as an actress if I was interested. I guess he saw something in me that I never saw in myself. So, I agreed! It was still just something I pursued on the side while I attended community college to study business. When I was 20 I got my first TV series, Greek. I feel like I’ve just been riding this wave ever since.
Juliet: Why acting? Who or what inspired you?
Amber: My father was an actor most of my life. He was on a CBS sit-com during my formative years and I would go watch his live tapings every Friday night. I didn’t know it at the time, but I was watching him do what I eventually found a passion for: Multi-cam sit-com. There’s nothing like making people laugh. I wouldn’t call myself particularly witty but I do have a solid sense of humor. Working in comedy allows me to pretend like I’m actually a funny person! I find inspiration in all actors in the comedy world, especially those who have a natural talent for improvisation. It’s a special talent I have such admiration for.
On Amber dress by Kamperett
On Amber dress by Kamperett, shoes by Club Monaco
Juliet: Name your biggest moment in your career.
Amber: I think the first big moment for me in my career was my first lead in a pilot. I was number 1 on the call sheet. It was an enormous responsibility and I felt so privileged to be given that trust. Sadly the show wasn’t picked up but to know that an entire network believed in me enough to give me that opportunity made me feel like I was actually in the career field in which I belonged.
Juliet: How do you prepare for a role?
Amber: I read the script and learn my lines. Honestly, I have yet to have a role where I find it necessary for me to do much more preparation than that. If I were to one day do a bio-pic I would spend time studying the person I’m portraying but otherwise I find that all I need is in a script.
Juliet: What is it like being married to your co-star?
Amber: I find it refreshing to be in a relationship with another actor. We both understand the struggles of being an artist. We are very supportive of one another’s dreams and do whatever we can to help each other. It’s been awhile since we’ve acted side by side though. I would love to do it again! We’re a good team.
Juliet: Your dream role?
Amber: I’m desperate to be in a live musical like the one’s FOX and NBC have been producing. They look like they couldn’t be more fun! I’m putting it out in the universe that I’d like to play Mimi in RENT. I’ve already played the part on stage, I’m ready to do it on TV!
On Amber dress by Kamperett, shoes by Club Monaco
Juliet: In this day of social media, what have you learned about yourself and how do you engage online?
Amber: Social media can be looked at several ways. I choose to see it as something that connects us all more than ever before, and for the better! I like engaging with friends and fans about their interests, likes and dislikes, and sharing a bit about my own! I’ve always been a pretty approachable person and I hope that I come off the same way on social media.
Juliet: Greatest Piece of Advice You’ve Received?
Amber: Save your money! Working freelance is so unpredictable. So many people feel that once an actor has made it onto TV, they have “made it” and they’ll be rich for life. THIS IS NOT TRUE. You never know when your next job is coming, or even if the one you currently have is going to stick around. So be grateful for what you do have and SAVE YOUR MONEY.
Juliet: What’s next for Amber?
Amber: This Fall I’ll be starring on a new comedy television series “Happy Together” on CBS with Damon Wayans. And of course, motherhood!