Jaden Smith Named Creative Director of Christian Louboutin Amid Controversy
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Christian Louboutin, the iconic luxury footwear brand, has recently appointed Jaden Smith as its new Creative Director. This surprising move comes at a critical time, as the brand faces declining sales and struggling ratings. Industry insiders suggest this decision is a strategic attempt to rejuvenate Louboutin's image and attract a younger, Gen Z audience.
However, the appointment has sparked significant debate within the fashion community. Critics argue that Jaden Smith's rise to this high-profile role is less about merit and more about nepotism.
In an industry that prides itself on creativity and innovation, it’s disheartening to see how many genuinely talented individuals striving to reach senior creative roles are overlooked. Often, these dedicated professionals pour years of effort into honing their craft, developing unique perspectives, and building their portfolios, only to find doors closed in favor of young, privileged offspring of celebrities. These individuals, frequently inspired by high-profile figures like Pharrell Williams, step into creative director positions not solely on merit but largely due to their famous last names and connections. This trend not only undermines the meritocratic ideals the fashion and creative industries claim to uphold but also stifles diversity of thought and authentic innovation. Ultimately, the industry risks sacrificing its creative integrity by favoring lineage over talent.
Tilda Swinton navigates Venice’s streets wearing CHANEL by Mathew Blazy
A regular at the Venice International Film Festival where she is presenting the film “Broken English” directed by Jane Pollard and Iain Forsyth and in which she plays a leading role, actor Tilda Swinton navigates Venice’s streets with effortless expertise, wearing CHANEL.
Mathew Blazy made a striking debut as Chanel’s creative director at the Venice Film Festival by dressing Tilda Swinton in a bold, avant-garde ensemble that perfectly blended classic elegance with modern edge. Many praised the look for its innovative craftsmanship and Swinton’s effortless embodiment of Blazy’s vision, highlighting the couture’s intricate detailing and dramatic silhouette as a refreshing evolution for the storied house. Critics, however, expressed some reservations, suggesting that the outfit’s experimental nature risked overshadowing Swinton’s natural presence and that certain design elements felt overly theatrical for a festival setting. Overall, Blazy’s introduction was seen as a daring yet promising step forward for Chanel’s future.
2025, Gucci Now: Il Y a Pas Feu au Lac, N'est-ce Pas? Or Surprise, Surprise?
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As "Gazette du bon ton," it is with a discerning eye that we turn our attention to the recent developments at the House of Gucci. The narrative, as it unfolds and shared by the greatest industry insider Susanna Nicoletti, presents a series of strategic ambiguities that warrant a more formal examination.
So, What is really going on at Gucci? No media is talking about this.
A Matter of Timing: Unraveling the Debut of Gucci's New Era A notable dissonance has emerged between industry expectations and the timeline articulated by Gucci's newly appointed Creative Director, Demna Gvasalia. It was widely anticipated that his inaugural collection would be unveiled in September 2025, a date that would have aligned with the traditional rhythm of the fashion calendar. However, in a recent exchange with esteemed journalist Suzy Menkes, Demna stated, "My first show will be March 2026." He further elaborated, "This year I will do things that will remind people what Gucci is… I cannot do things in two months."
This revised schedule raises several pivotal questions regarding the strategic direction at Gucci, a maison that has undergone five distinct creative reinventions in the past two decades. Demna's forthcoming vision will mark the sixth. The assertion that time is required to "remind people what Gucci is" subtly implies a period of internal reflection and strategic repositioning, even for a creative director who, as revealed by Vogue Business in mid-March, had been in dialogue with Gucci's leadership for several months prior to his official appointment.
According to statements from Jean-François Palus, Kering's transitional CEO, and Francesca Bellettini, Deputy CEO of Brand Development, the initial engagement with Demna was met with immediate enthusiasm and a pre-existing vision for the brand. This begs the question of the current perceived vagueness surrounding the pre-debut activities.
The Financial Imperative and the "Hint" of a New Direction The luxury market observes with keen interest as Kering navigates a delicate financial period, with Gucci's performance being a cornerstone of the group's revenue and profitability. The interim period between now and March 2026 is therefore of critical importance. In an analyst conference on April 24th, Ms. Bellettini alluded to a "hint" of the new direction to be presented in September. The precise nature of this "hint" remains undefined, contributing to an atmosphere of uncertainty.
The crucial query is what tangible initiatives will be implemented to sustain commercial momentum before the full collection is revealed. For a publicly listed entity like Kering, prolonged ambiguity can be a source of unease for investors and creditors alike. The question arises: is this a calculated postponement, a strategic recalibration, or a sign of unforeseen complexities?
Key Considerations for the Discerning Observer: The current situation at Gucci can be distilled into several key points of analysis:
The Clarity Deficit: At a time when Gucci urgently needs to invigorate sales, the lack of a clear and immediate creative message is conspicuous. The "things" intended to remind consumers of Gucci's essence remain unspecified.
A March 2026 debut deviates from Gucci's traditional role as a prominent opener of Milan Fashion Week. The final fashion week schedules for that season are yet to be confirmed, leaving open the possibility of a special, off-calendar event or even a shift in location.
The impromptu nature of Demna's announcement raises questions about the internal coordination and strategic communications planning at Gucci and Kering. Is the creative director operating with full autonomy, or is this part of a meticulously orchestrated, albeit opaque, plan? The appointment of Luca De Meo as the new CEO of Kering, effective in September, is a significant factor. It is plausible that major strategic decisions, including the cadence of Gucci's creative relaunch, are being held in abeyance pending his arrival. This may signal a forthcoming, deep-seated restructuring of the group, with a strategic acceptance that fiscal years 2025 and 2026 may be transitional periods.
The competitive landscape of September, with its flurry of new designer presentations, could present a challenging environment for a highly anticipated debut. A later date may offer a more focused spotlight, free from immediate comparison. However, one must consider that today's luxury consumer, while appreciative of artistry, also values clarity and reassurance.
In conclusion, the delayed timeline for Demna Gvasalia's first collection for Gucci, coupled with the surrounding ambiguity, points to a period of profound transition for the brand and its parent company, Kering. While patience may indeed be a virtue, the pressures of the market and the expectations of a global audience create a compelling drama. The forthcoming months, particularly the Q2 2025 results and the strategic direction set forth by the new leadership, will be paramount in shaping the next chapter for this storied Florentine house. As the Swiss are known to say, "Il n'y a pas le feu au lac" – there is no fire on the lake. Yet, in the fast-paced world of luxury, even a placid surface can conceal strong undercurrents.
Yesterday Demna said to Suzy Menkes that his debut show will happen on March 26. Everybody was expecting September 25.
“My first show will be March 2026 but this year I will do things that will remind people what Gucci is…” “I cannot do things in two months”
So apparently it’s still not clear what Gucci is…after 5 re-brandings in 20 years.
Demna one will be the 6th…
How can “people” be reminded what the brand is if even its creative director after months doesn’t know is a mystery.
Ah yes, I am too negative.It takes time.Gucci has plenty of time. Why hurry? We have August holidays, we need to be in Patmos.
This chat happens after 4 months since the announcement of Demna's appointment.
In the mid-March Vogue Business interview Bellettini and Cantino highlighted that Demna already started working on Gucci months before.
“Cantino revealed that Demna was first approached several months ago. Bellettini added: “We went out for dinner. I said: ‘We would really love to talk about this opportunity’. And after a second of thinking he was very excited, and said: ‘Yes! I have it in my mind — let me put together the project for you.’ He worked on that, and when Stefano and I received it for the first time, we were both: ‘Let’s accelerate!.’”
From GQ of April 24 “In last Wednesday's analyst conference, Kering Deputy CEO and Head of Brand Development Francesca Bellettini revealed that Demna will present a first "hint" of the house's new direction in September, presumably during Milan Fashion Week. This news says it all, but, more importantly, what does Bellettini mean when she says "hint"?
Why everything seems so vague still today?
And what are the "things" they will do to support the business before next Spring when the Group is deeply relying on Gucci revenues and profits to survive now? Is there time to wait, especially as Demna was an internal move?
Are investors and creditors happy? Or is it better like this? A strategic postponement?
Why is this confusion happening?
- The lack of clarity when Gucci desperately needs to pump sales now
- March? Does it mean a special show? Or Paris instead of Milan? Usually Gucci opened the Milan Fashion Week but in 2026 it will go from 24th February to March 2nd but the calendar always is confirmed last minute.
- Is Demna in difficulty? Is the Gucci top management in charge and firmly steering the wheel?
- Haven't they accurately planned every single move and statement to release?
- Was the top management aware of this impromptu statement? Did they agree?
Why Kering continues to swim in mystery and uncertainty in the most delicate time of its life when it’s a group listed at the stock exchange?
At the end the customer decides and let’s see Q2 25…..and the next months…
Ah oh yes we already have the answer… Luca De Meo will solve every issue.
Why hurry? As my Swiss friends were used to say in Neuch, Il y a pas feu au lac 🔥
What are the key points around this topic?
Nobody in the press is talking about this today. They only celebrate Demna 10 years tenure at Balenciaga. He also got super congratulated by Francoi-Henri Pinault himself. That’s not normal. Soundtrack Frida “I know there’s something going on” (for those of you following me since a loooong time).
He cannot make it in two months…is that the proof that it is wrong to delegate to a creative director alone the brand strategy and platform?
Nobody is worried and this confirms what I wrote before in this newsletter: There is no Demna Effect, anyway. Sales will not improve thanks to him. I wrote it in mid-March. I am not a witch. I can do my job very well.
Nobody read the comments under yesterday presentation of Balenciaga HC on Instagram. For Bellettini who enjoys free advice (from Vogue Business article mentioned here above): they are the best focus groups. No need to pay millions of euro to consulting firms.
They are waiting for Luca De Meo arrival in September. A great point. This means putting all decisions and appointments so far under scrutiny, keeping in stand by some key ones and preparing for a very deep restructuring that will totally disrupt the group. They very likely know that 2025 and 2026 are lost, that the right dimensions of revenues are the ones of 2015 and they need to drive the boat back for the future. It will be tough and super risky. That’s why there is a need for Captain Luxury, investors and creditors need to be reassured.
Luca De Meo alone cannot do this titanic work.
Probably September 25 was a bad time for a new chapter show because of the very high expectations and many other new designers presenting collections for brands they recently joined. Fear of comparison?
They are preparing a surprise. Maybe. Great for the press and the cheerleaders, but customers want to be reassured, not surprised.
"Superfine: Tailoring Black Style" - Met Gala 2025
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The Met Gala this year showcased the theme of Superfine Tailoring Black Style, but many attendees appeared to misunderstand the assignment. While the red carpet typically reveals standout fashion moments, this event largely fell short of its objective.
Zendaya, known for her bold choices, came surprisingly close with her simple white suit. However, the understated nature of the outfit, which bore resemblance to another guest's similar ensemble, failed to create the anticipated statement.
Nicole Kidman made an impression in a Balenciaga archive dress, a striking piece that garnered attention for its craftsmanship and design. However, it too missed the mark for the theme, diverting from the essence of Black style and tailoring emphasized by the event.
Other notable guests, while undoubtedly fashionable, showed a trend of misinterpretation. Their outfits, though stylish, did not align with the theme's foundational elements, leading to an overall sense of disconnect on the carpet. As the evening progressed, it became evident that the true essence of the assignment eluded most attendees, resulting in a lackluster showcase of what was meant to be a celebration of refined tailoring and Black style.
Images via MetGala Instagram
Nicole Kidman - The Ambassador of Balenciaga
Nicole Kidman has officially been announced as the new ambassador for Balenciaga in December 2024, a move that marked a significant milestone for both the acclaimed actress and the renowned fashion house. Known for her striking performances and timeless elegance, Kidman is bringing a fresh and sophisticated perspective to Balenciaga's contemporary aesthetic. This partnership aligns with the brand's innovative vision, aiming to bridge high fashion with artistic expression. With her vast experience in the entertainment industry and a keen sense of style, Kidman's collaboration with Balenciaga is anticipated to resonate well with audiences and fashion enthusiasts alike, further elevating the brand's profile in the competitive fashion landscape.
In Memory of Quincy Jones
Quincy Jones, the legendary music icon whose remarkable career spanned producing Michael Jackson’s groundbreaking Thriller album, composing award-winning film and television scores, and collaborating with legends like Frank Sinatra and Ray Charles, has passed away at 91.
Cortesy Quincy Jones Instagram
Quincy Jones stood as one of the most influential figures in American music history, with a career spanned over seven decades. Born in Chicago in 1933, he overcame a challenging childhood to become a groundbreaking musician, producer, arranger, and humanitarian. His genius for collaboration and genre-crossing innovation helped shape popular music, from his early days as a jazz trumpeter to his legendary work as a producer with artists like Michael Jackson. Jones has earned an astounding 28 Grammy Awards and holds the record for most Grammy Award nominations at 80. His work as a producer on albums like "Thriller" and his own recordings have influenced generations of musicians. Beyond music, he's made significant contributions to film, television, and humanitarian causes, breaking racial barriers and consistently advocating for music education and social justice.
― Quincy Jones famous quotes
“To me, loving a woman is one of the most natural, blissful, life-enhancing — and dare I say, religious — acts in the world."
“Greatness occurs when your children love you, when your critics respect you and when you have peace of mind.”
“You have to know that your real home is within.”
“The only justification for looking down on anyone, is that you're going to stop and pick them up.”
“You may be angry. These are difficult times and you may have a good reason for feeling that way. But imagine a world where instead of holding on to our anger, we use it to channel a more communal sense of love to make up for the lack thereof. What a world it would be.”
THE BURNING QUESTION IN FASHION: IS JACQUEMUS THE FUTURE OF CHANEL?
Rumors are swirling that Simon Porte Jacquemus, the innovative designer behind the Jacquemus label, may be a top contender to become Chanel’s next Artistic Director. Following Virginie Viard’s exit from the role, industry insiders have pointed to Jacquemus as a candidate due to his ability to connect with younger generations and his flair for creating memorable, visually striking shows. His work often blends contemporary playfulness with timeless elegance, making him an appealing choice to helm such an iconic brand.
Simon Porte Jacquemus © Jacquemus
At times, it feels like Jacquemus’ flawless execution of his eponymous brand is an ongoing audition. Not because he's aiming to replicate what Karl Lagerfeld achieved, nor does he seem interested in doing so. What Jacquemus creates is entirely unique and distinct.
The real significance lies in his accomplishment of building a French luxury brand from the ground up—a feat that speaks volumes and is certainly something worth recognizing.
Despite these rumors, Jacquemus has frequently expressed a desire to focus on his own brand, which complicates the likelihood of his transition to Chanel. Other designers, including Thom Browne and Pieter Mulier, are also being considered, so nothing is confirmed yet. The process mirrors the long speculation that preceded Pharrell Williams' unexpected appointment at Louis Vuitton, signaling that anything is possible at this stage.
Givenchy Announces Sarah Burton as New Creative Director
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Sarah Burton has been appointed as the new creative director of Givenchy, marking a pivotal moment for the renowned French fashion house. After over a decade of leading Alexander McQueen, Burton takes over from Matthew Williams. Recognized for her intricate, personal, and symbolic designs, she is poised to inject fresh creative direction into Givenchy’s men's and women's collections. Her debut collection is set to be unveiled at Paris Fashion Week in March 2025. This appointment also marks her as the second female to lead Givenchy, following Clare Waight Keller.
Claire Waight Keller is Uniqlo’s new creative director
Claire Wright Keller has been appointed as Uniqlo's new creative director, bringing fresh insight and innovative vision to the brand. Known for her previous work at Givenchy, where she gained recognition for her elegant designs and sharp tailoring, Keller is expected to influence Uniqlo's approach to modern, functional fashion. Her appointment signals a strategic move for the brand as it seeks to blend accessibility with elevated style. With a focus on sustainability and inclusivity, Keller's leadership may usher in a new era for Uniqlo, appealing to a diverse consumer base while maintaining the brand's core values. Claire Wright Keller has been appointed as Uniqlo's new creative director, bringing fresh insight and innovative vision to the brand.
Known for her previous work at Givenchy, where she gained recognition for her elegant designs and sharp tailoring, Keller is expected to influence Uniqlo's approach to modern, functional fashion. Her appointment signals a strategic move for the brand as it seeks to blend accessibility with elevated style. With a focus on sustainability and inclusivity, Keller's leadership may usher in a new era for Uniqlo, appealing to a diverse consumer base while maintaining the brand's coreight
In Memory of the Remarkable Gena Rowland
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Gena Rowlands was born on June 19, 1930, in Madison, Wisconsin. She grew up in a family that encouraged her artistic inclinations, which ultimately led her to pursue a career in acting. Rowlands studied at the University of Wisconsin and later attended the prestigious American Academy of Dramatic Arts.
Her acting debut came in the early 1950s, with appearances in television shows such as "The Johnny Carson Show." However, she gained significant recognition after starring in independent filmmaker John Cassavetes' work, which showcased her talent for portraying complex emotional characters.
Rowlands is best known for her roles in films like "A Woman Under the Influence" (1974), where she delivered a powerful performance as a woman struggling with mental illness, and "Gloria" (1980), where she played a tough, protective woman safeguarding a young boy. Her collaborations with Cassavetes, both as an actress and a creative partner, marked a defining aspect of her career.
Another remarkable film featuring Rowlands is "Opening Night" (1977), also directed by Cassavetes. In this film, she plays an aging actress named Myrtle Gordon, who grapples with the pressures of fame, the fleeting nature of youth, and the impact of tragedy on her life. Rowlands' ability to navigate the intricacies of her character's psyche adds an additional layer of nuance to the narrative, making it a captivating watch.
In "The Notebook" (2004), Rowlands portrays an older version of the character Allie Nelson in this romantic drama based on Nicholas Sparks' novel. The film, spanning decades, highlights the enduring power of love amid the challenges of aging and memory loss. Rowlands’ performance, infused with both tenderness and sorrow, resonates deeply, providing a moving portrayal of a long-term relationship faced with adversity.
Throughout her illustrious career, Gena Rowlands received numerous accolades, including two Academy Award nominations and a star on the Hollywood Walk of Fame. She continued to act in various film and television projects until her passing on August 30, 2023, leaving behind a lasting legacy in the world of cinema.
Virginie Viard Exists Chanel
Virginie Viard's leadership at Chanel has been marred by a series of missteps and controversies, leading to her recent exit from the iconic fashion house. Viard struggled to resonate with Chanel's audience, failing to capture the essence of the brand established by the legendary Karl Lagerfeld. Her design choices were often criticized for lacking innovation and failing to uphold the brand's reputation for timeless elegance.
The public's reaction to Viard's departure has been largely positive, with many expressing relief and hope for a new creative direction at Chanel. Social media platforms have been inundated with comments praising the decision and anticipating the appointment of a new creative director who can revive the brand's former glory.
With Virginie Viard's unsuccessful tenure at Chanel coming to an end, there is a sense of optimism among fashion enthusiasts who are eager to see the brand reclaim its position as a trendsetter in the industry. Time will tell what the future holds for Chanel under new leadership, but for now, there is a collective sigh of relief from those who felt disillusioned by Viard's vision.
Dries Van Noten - The Recap
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“Dear Friends” Dries Van Noten wrote in his letter to his fans on the morning of April 2024, where he outlined his plan to retire from helming the fashion house he founded in 1986. His label had an immense impact on the fashion industry and the way women dress. Dries Van Noten stands as one of the foremost designers in the industry. His upbringing within a family deeply rooted in clothing manufacturing and trade—his father owning a menswear store and his grandfather being a tailor—instilled in him a profound understanding of the craft. Graduating from the Antwerp art school in 1980, he embarked on his design journey, debuting his inaugural menswear collection in London in 1986 alongside his fellow Belgians.
Van Noten's approach diverged from haute couture; instead, he offered wearable garments crafted with meticulous attention to textiles and a fusion of functional design and artisanal techniques. His creations served as narratives, each piece telling a story, evoking the joy of a child in a sweet shop. His creative process hinged on constant learning and enjoyment; when the fun stopped, so did the creation.
His letter continued, “Now, I want to shift all my focus to all the things I never had time for.”“I have been preparing for this moment for a while, and I feel it’s time to leave room for a new generation of talents to bring their vision to the brand.”
The new female designer at Chloé, Chemena Kamali.
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Can we talk about the new female designer of Chloé? Her name is Chemena Kamali. Born in Germany she pursued a Master of Arts in Fashion at Central Saint Martin’s University of the Arts in London under the guidance of Professor Louise Wilson. She is not that new to Chloé, she spend a long time at Maison as a member of Phoebe Philo’s team and later served as Design Director under Clare Waight Keller in 2012. From 2016 she held the position of Women’s Ready to Wear Design Director for Anthony Vaccarello at Saint Laurent. For her first show as the designer for the house Kamali said she aimed to honor the brand’s heritage of liberation and innovation.
Moncler Grenoble FW24 elevates winter fashion to new heights in St. Moritz
It's center stage for Grenoble line at Moncler, the Italian luxury down jacket label's high-tech performance collection.
It's center stage for Grenoble line at Moncler, the Italian luxury down jacket label's high-tech performance collection. To celebrate the Fall/Winter 2024 season, they hosted an exclusive Alpine-themed runway show on February 3, against the breathtaking backdrop of the pristine mountains of St. Moritz, the chic Swiss ski resort. Guests included Kate Moss, Anne Hathaway, Elsa Hosk and many more.
Ikea to Make Presence at Paris Fashion Week with Annie Leibovitz
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Swedish homeware and furniture retailer Ikea is set to present a fresh collection of portraits by Annie Leibovitz during the upcoming Paris Fashion Week.
From February 29 to March 3, Ikea will transform 28 Rue de Lappe near Paris’s Bastille, showcasing Leibovitz’s 'Life at Home' collection featuring twenty-five portraits from homes in the UK, Germany, India, Italy, Japan, Sweden, and the US during her residency as Ikea’s artist.
The exhibition will also include portraits captured by six emerging photographers from the mentorship program by the Swedish retailer and Leibovitz. Additionally, it will feature an Ikea food and drink court, music from Rinse, a radio station based in Paris and London, and a lineup of events.
Saint Laurent will Debut a Movie at Cannes
The iconic French fashion house, Saint Laurent, is launching a film production subsidiary led by its artistic director, Anthony Vaccarello. The new division is called Saint Laurent Productions and will debut with three films from acclaimed filmmakers, including a couple of shorts premiering at Cannes: "Strange Way of Life" by Pedro Almodóvar, featuring Ethan Hawke and Pedro Pascal.
Vaccarello, an avid cinephile who assumed the role of artistic director of Saint Laurent in 2016, stated that establishing this new division provides him with "an opportunity to broaden the vision I have for Saint Laurent through a medium that has more permanence than clothes." He further added, "A film can still be viewed ten or thirty years from now, provided it is good. In certain ways, producing a film can have a more significant impact than a seasonal collection. To me, it's a logical extension of another field of creativity that is perhaps more universal and popular."
The new production banner, run by a fashion house, is being presented as the first of its kind. In addition to premiering projects by Pedro Almodóvar and David Cronenberg at Cannes, Saint Laurent Productions is developing films by well-known directors such as Paolo Sorrentino, Abel Ferrara, Wong Kar Wai, Jim Jarmusch, and Gaspar Noé. These directors have created works that have influenced and inspired Vaccarello, and share a tendency towards a "dark undercurrent," which can be thought-provoking.
Saint Laurent Productions plans to co-produce two to three films annually, and Vaccarello will design the costumes for these films.
Kensington Palace Couture Red Carpet
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On April 5th the world of Georgian court and the red carpet glamour will colide at the Kensignton Palace largest exhibition to date, "Crown to Couture". Joseph Bennet who is known to stage Alexander McQueen's famous catwalks was tapped by the palace to run exhibit filled with more than 200 objects of contemporary couture worn by Lady Gaga to the 2020 MTV Awards, Thom Browne two-piece ensemble worn by Lizzo, and some of the historic fashion attires worn by the Royal Court worn in the eighteen's century.
“We’re thrilled to be collaborating with a wide variety of well-known fashion houses and emerging designers to showcase some of the most iconic red carpet looks of recent years and celebrate the wonderful diversity and creativity we see there today. By bringing these familiar looks into the Palace and placing them in conversation with spectacular 18th century court dress, we hope to provide a new perspective on these historic spaces and the seemingly distant customs of the Georgian Court and allow visitors to experience the Palace as it was meant to be experienced: filled to the brim with the most fashionable and influential names of the day” said Claudia Acott Williams, curator at Historic Royal Palaces.
Court dress July 1807
Succession Session At PRADA
The son of co-CEOs Patrizio Bertelli and Miuccia Prada hints at plans to launch resale and explains that sustainable innovation should be profitable
Prada is gearing up to handover the leadership. Prada CEO Patrizio Bertelli, who is 76 and Miuccia Prada, who is 73 are hanging over the company to the eldes son, Lorenzo Bertilli, who is 34. Under the management of Andrea Guerra, ex communication director Lorenzo will guide the company starting January of 2023. For now the company is awaiting for an approval from company's board of directors, according to Italy's La Republica newspaper.
Former racing driver, Lorenzo Bertelli,commented on his upcoming succession: “The discussion is in the family. I can't say if it will happen in 3, 4 or 5 years. The important thing, for a group like ours, is to face a succession phase in the most correct way.”
Queen Elizabeth II 1926-2022
MAX MUMBY/GETTY IMAGES
With the departure of politicians like Queen Elizabeth II , the era elusive under our feet becomes even smaller. This era can be compared to an ice field, once powerful and strong, now melted, cracked and shattered. Surrounded by clear water and everyone screaming, "Freedom! Swim free!" it suddenly is difficult to swim, not knowing where and why. What comforts is knowing that there are pieces from the crack of the ice field that are still floating, and to which an exhausted person can grab onto. But there are less and less of those pieces.
The passing era consisted of strong rocks. People who have gone through real wars, not internet wars. People who know what an idea is, how difficult it is to produce it and even more difficult to defend it, convincing others of their righteousness. They managed to lead the people, the state, make history, create the greatest future without internet and cellular communication. Future that today becomes the greatest past. They managed to occupy the minds of millions of people with their personality. They were not afraid to refuse and stand their ground, they were not afraid of their own courage, they knew what national pride and human dignity are. Today the last of them are leaving and there will be no more like them.
If you ask anyone today who knows the slightest bit of modern history who personifies the political life of Great Britain in the twentieth century, they will answer "Winston Churchill and Queen Elizabeth". They are the makers of British history and will always be remembered, because everything rests upon people like them. Or rather, rested upon. It is impossible to imagine how hard it was for Queen Elizabeth, a person who met the greatest people of the century (she remembered Churchill and you can imagine what she was thinking when she saw Truss), a person who is a reflection of time, energetic and strong-willed to feel her weakness and powerlessness before the modern time. To watch how the royal house degrades and crumbles, how something that once was eternal and unshakable for her, like Stonehenge, is now collapsing. With what difficulty did she agree that she, who once ruled over millions of people, now had no power even over herself and her home. Now she is on the tablets of history and will remain there forever. In memory, books and monuments
In memory of Issey Miyake
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Freedom of movement is what allowed Issey Miyake conguer the word of fashion, and bring Japanese fashion to the rest of the world.
He was born in Hiroshima, Japan, on April 22, 1938. His parents were of humble means, and his father was a tailor. He's married to Yoshiki Hishinuma and had four children. Miyake graduated from high school in 1956 and then studied graphic design at the Tama Art University in Tokyo. After graduation, he worked for several fashion houses, including Hanae Mori and Givenchy.
He was known for his innovative clothing designs, using technology to create exciting and unique garments. His verfy first collection was debuted in Paris. His designs were unusual for the time, featuring innovative materials and construction techniques. In the early 1970s, he founded the company Miyake Design Studio and continued to design clothing and other products under his own label. Miyake has also designed theater and ballet costumes and has been active in promoting environmental causes.
“You can design anything as long as you know how to cut and sew.”
Issey Miyake showed the world the connection between art and fashion, the meaning of wearable art. He has opened the doors to other avant-garde designers. His recent passing on 5 August 2022, at 84 years old, has left the world remembering his mark in the fashion industry. Although gone, he will never be forgotten, and his label will continue to inspire future generations. He has left behind a truly remarkable legacy.
His recent passing on 5 August 2022, at 84 years old, has left the world remembering his mark in the fashion industry. Although gone, he will never be forgotten, and his label will continue to inspire future generations. He has left behind a truly remarkable legacy.
They say greatness rubs off one another, and a perfect example of that is the connection between Steve Jobs and Issey Miyake. Steve Jobs was known for his "uniformed" turtlenecks, but did you know it was designed by Issey Miyake?
